Abstract
Kate Manheim spent most of her life in France, coming to the United States in the fall of 1969 and to New York City in March, 1970. Because she speaks two languages without an accent, one of her first jobs in this country was at the Berlitz School of Languages, where she taught private lessons in both French and English. In the fall of 1971, shortly after she began working at the Anthology Film Archives, she met playwright/director Richard Foreman [T58, T62]. Foreman was already in rehearsal for his Ontological-Hysteric Theatre's fourth production entitled HċOhTiEṅL (or) Hotel China. Since one of the actresses had dropped out of the play, he went to the Anthology looking for a volunteer replacement. After walking back and forth several times through the office where Manheim was working. Foreman finally approached her and asked shyly, “Would you mind being an angel in my play?” She replied simply, “No, I wouldn't mind.”
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