Abstract

In this ambitious study Karin E. Olsen ranges far and wide in the early poetry of medieval Northwest Europe, far in the sense of incorporating the literary evidence from three adjacent but distinct cultures, wide in the sense of greatly expanding on the common notions of the enemy and conflict, often by making alterity one side of a conflictual situation. A uniform methodology seeks to encompass this sprawling investigative field, where ‘conceptual metaphor’ is a key heuristic term.

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