Karen Underhill. Bruno Schulz and Galician Jewish Modernity. Bloomington, IN: Indiana University Press, 2024. Pp. 278.

Reviewed by: The Piano in Chamber Ensemble: An Annotated Guideby Maurice Hinson and Wesley Roberts David A. Day The Piano in Chamber Ensemble: An Annotated Guide. 3rded. By Maurice Hinson and Wesley Roberts. Bloomington: Indiana University Press, 2021. [xxxiv, 817 p. ISBN 9780253056733 (hardback), $85. Also available as e-book, ISBN and price vary.] Over the course of his fifty-eight-year career at the Southern Baptist Theological Seminary, pianist and musicologist Maurice Hinson (1930–2015) produced a remarkable legacy of repertory guides and bibliographies related to the piano. Highlights include his Keyboard Bibliography(Cincinnati: Music Teachers National Association, 1968), Guide to the Pianist's Repertoire(Bloomington: Indiana University Press, 1973, [End Page 385]1987, 1991, 1994, 2000, 2014), Piano Music in Nineteenth-Century America(Chapel Hill, NC: Hinshaw Music, 1975), The Piano in Chamber Ensemble: An Annotated Guide(Bloomington: Indiana University Press, 1978, 2006, 2021), The Piano Teacher's Source Book: An Annotated Bibliography of Books Related to the Piano and Piano Music(Melville, NY: Belwin-Mills, 1974, 1980), Music for Piano and Orchestra: An Annotated Guide(Bloomington: Indiana University Press, 1981, 1993), Music for More than One Piano: An Annotated Guide(Bloomington: Indiana University Press, 1983, 2001), The Pianist's Reference Guide: A Bibliographical Survey(Los Angeles: Alfred Publishing, 1987), The Pianist's Guide to Transcriptions, Arrangements and Paraphrases(Bloomington: Indiana University Press, 1990, 2001), The Vienna Urtext Guide to Piano Literature(Valley Forge, PA: European American Music, 1995), The Pianist's Bookshelf: A Practical Guide to Books, Videos, and Other Resources(Bloomington: Indiana University Press, 1998), and The Pianist's Dictionary(Bloomington: Indiana University Press, 2004, 2020). Many of these works were subsequently published in foreign languages, including Korean and Chinese. This third edition of The Piano in Chamber Ensemblewas produced by Wesley Roberts, who also collaborated with Hinson in releasing the second edition in 2006. Roberts also oversaw the fourth edition of Guide to the Pianist's Repertoire(2013) and the second edition of The Pianist's Dictionary(2020). The authors have consistently pointed to the attraction of chamber music: its special intimacy and depth of emotion. Promoting the love of chamber music is identified as their primary purpose. The publisher's description indicates the current edition encompasses more than 3,200 works by more than 1,600 composers. Otherwise, the entries are not numbered, and the size of the total repertory is not identified. The preface to the third edition states that more than 1,400 new compositions representing more than 300 additional composers have been added since the second edition. Roberts further notes that this enlargement embraces both new works from the first two decades of the twenty-first century and works from previous periods. The scope of the repertory is confined to "compositions requiring no more than eight instruments (including piano)" (p. ix). The period of coverage is mostly limited to 1700 forward (basically corresponding to the birth of the modern piano). Beginning with the first edition, however, select early trio sonatas with keyboard realizations were also included. By the compilers' own admission, the selection of works is somewhat subjective, and both Hinson and Roberts acknowledge the difficulty of identifying every worthy work. In theory, only works where the piano has an equal musical importance to the other instruments are included. But, given that the overwhelming majority of the repertory is duos, mostly in the form of sonatas for a solo instrument with piano accompaniment, this claim can and has been challenged by other reviewers. Across all three editions, the guide maintains a consistent organization and focus. Roberts reaffirms his intent to address Hinson's three foundational questions (p. ix): What is there? What is it like? Where can I obtain it? The contents are organized by size of ensemble, starting with duos and extending to octets. Within each of these categories, the specific instrumentation is organized following orchestral scoring—first strings, followed by winds and brass, then percussion. Headings at the top of each page make it reasonably easy to browse the contents. Within each instrumental category, works are organized alphabetically by the composer's last name. As stated somewhat vaguely in the opening remarks, [End Page 386]multiple...

Voices presents the human and moving stories of an extraordinary group of individuals who contributed to the economic and social record of the UN's life and activities. Drawing from extensive interviews, the book presents in their own words the experiences of 73 individuals from around the globe who have spent much of their professional lives engaged in United Nations affairs. We hear from secretaries-general and presidents, ministers and professors, social workers and field workers, as well as diplomats and executive heads of UN agencies.Among those interviewed are noted figures such as Kofi Annan, Boutros Boutros-Ghali, Alister McIntyre, Conor Cruise O'Brien, Javier Perez de Cuellar, and Kurt Waldheim, as well as many less well known UN professional men and women who have made significant contributions to the international struggle for a better world. Their personal accounts also engage their contributions in dealing with such events and issues as the UN's founding, decolonization, the rise and fall of the Berlin Wall, human rights, the environment, and September 11, 2001.Thomas G.Weiss is Presidential Professor of Political Science at CUNY Graduate Center and Director of the Ralph Bunche Institute for International where he is co-director of the United Nations Intellectual History Project and editor of Global Governance. His latest books are: Ahead of the Curve? UN Ideas and Global Challenges (Indiana University Press, 2001), author; The Responsibility To Protect: Research, Bibliography, and Background (ICISS, 2001), author; Military-Civilian Interactions: Humanitarian Crises and the Responsibility to Protect (Rowman and Littlefield, 2004), 2nd edition; and The United Nations and Changing World Politics (Westview, 2004), 4th edition, author; and Terrorism and the UN: Before and After September 11 (Indiana University Press, 2004), editor.Tatiana Carayannis is Research Manager of the United Nations Intellectual History Project and former adjunct instructor in Political Science at CUNY. Some of her recent publications include The Democratic Republic of Congo: 1996-2002 in Jane Boulden ed., Dealing with Conflict in Africa: Role of the United Nations and Regional Organizations, London: Palgrave, 2003, and The Network Wars of the Congo: Towards a New Analytic Approach, Journal of Asian and African Studies, 2003. She is currently completing a doctoral dissertation in Political Science on networks, multilateral institutions, and the Congo wars.Louis Emmerij is Senior Research Fellow at CUNY Graduate Center's Ralph Bunche Institute for International where he is co-director of the United Nations Intellectual History Project. Among his recent books are: Contributions to Thinking and Practice (Indiana University Press, 2004), author; Ahead of the Curve? UN Ideas and Global Challenges (Indiana University Press, 2001), and author; Economic and Social into the 21st Century (Johns Hopkins University Press, 1997).Richard Jolly is Senior Research Fellow at CUNY Graduate Center's Ralph Bunche Institute for International where he is co-director of the United Nations Intellectual History Project, and Professor Emeritus at the University of Sussex. Publications to which he has contributed include: Contributions to Thinking and Practice (Indiana University Press, 2004), author; Ahead of the Curve? UN Ideas and Global Challenges (Indiana University Press, 2001), author; and Development with a Human Face (1998), author.

This paper intends to argue over these subsequent ideas: first, that Heidegger’s employment of ‘retrieval’, ‘repetition’, or ‘thinking dialogue’ in his interpretation of Kant’s first Critique is, following Macann, quite hazardous and destructive but only on the surface. Heidegger's hermeneutical privilege to employ a specific interpretive frame in reading Kant seems to violate hermeneutics' fundamental maxim. This hermeneutic maxim is the inevitability of multiple interpretations. This can be seen in how Heidegger treated Kant's Critique of Pure Reason, where he announces that he “understand him (Kant) better than he (Kant) understood himself.” At first glance, his declaration exudes a kind of intellectual arrogance. However, I will show this is not so. Secondly, I will argue, based on the question of Heidegger’s appropriation of Kant’s ideas in his philosophical project, that he partly appropriated Kant but in a violent manner. As evident in his interpretation of the Critique of Pure Reason, Heidegger goes beyond Kant and forces the latter to speak through his text on the issues Heidegger thought to be in Kant. This raises the question of whether Heidegger properly situated and appropriated Kant in his text or not.
 References
 
 Dahlstrom, Daniel. “The Critique of Pure Reason and Continental Philosophy.” In Kant’s Critique of Pure Reason. Edited by Paul Guyer. Cambridge: Cambridge University Press, 2010.
 Frede, Dorothea. “The question of being Heidegger’s project.” In Cambridge Companion to Heidegger. Edited by Charles B. Guignon. Cambridge: Cambridge University Press, 1993.
 Grene, Marjorie. Martin Heidegger. London: Bowes & Bowes, 1957.
 Guignon, Charles B. “Introduction.” In The Cambridge Companion to Heidegger. Edited by Charles B. Guignon. Cambridge: Cambridge University Press, 1995.
 Heidegger, Martin. Phenomenological Interpretation of Kant’s Critique of Pure Reason. Translated by Parvis Emad and Kenneth Maly. Bloomington/Indianapolis: Indiana University Press, 1997.
 Heidegger, Martin. Kant and the Problem of Metaphysics, 5th edition. Translated by Richard Taft. Bloomington and Indianapolis: Indiana University Press, 1997.
 Heidegger, Martin. Basic Problems of Phenomenology. Translated by Albert Hofstadter. Bloomington & Indianapolis: Indiana University Press, 1982.
 Kant, Immanuel. Critique of Pure Reason. Translated by Paul Guyer and Allen Q. Wood. Cambridge: Cambridge University Press, 2000.
 Kenny, Anthony. “The Philosopher’s History and the History of Philosophy.” In Analytic Philosophy and History of Philosophy. Edited by Tom Sorell and G.A.J. Rogers. Oxford: Clarendon Press, 2005.
 Longuenesse, Béatrice. Kant and the Capacity to Judge. Translated by Charles T. Wolfe. Princeton/Oxford: Princeton University Press, 1998.
 Macann, Christopher. “Heidegger’s Kant Interpretation.” In Critical Heidegger. Edited by Christopher Macann. London/New York: Routledge, 1996.
 Moreiras, Alberto. “Heidegger, Kant, and the Problem of Transcendence.” The Southern Journal of Philosophy vol. xxiv, no. 1 (1986): 81-93.
 Nelson, Eric S. “Heidegger’s Failure to Overcome Transcendental Philosophy.” In Transcendental Inquiry. Edited by Halla Kim & Steven Hoeltzel. MacMillan: Palgrave, 2016.
 Sherover, Charles. Heidegger, Kant and Time. Bloomington: Indiana University Press, 1971.
 Stoljar, Daniel. Philosophical Progress: In Defence of a Reasonable Optimism. Oxford: Oxford University Press, 2017.
 Taft, Richard. “Translator’s Introduction to the 4th Edition.” In Martin Heidegger. Kant and the Problem of Metaphysics, 5th edition enlarged. Translated by Richard Taft Bloomington and Indianapolis: Indiana University Press, 1997.
 Weatherston, Martin. Heidegger’s Interpretation of Kant: Categories, Imagination and Temporality. New York: Palgrave Macmillan, 2002.

After Brezhnev: Sources of Soviet Conduct in the 1980s. Edited by Robert F. Byrnes. Bloomington: Indiana University Press, 1983. xviii, 457 pp. Tables. 12.50, paper. - Soviet Policy for the 1980s. Edited by Archie Brown and Michael Kaser. Bloomington: Indiana University Press, 1982. xiv, 282 pp. Tables. $19.50. - Volume 43 Issue 2

Charles C. Alexander. Holding the Line: The Eisenhower Era, 1952–1961. (America since World War II.) Bloomington: Indiana University Press. 1975. Pp. xviii, 326. $12.50 and Jim F. Heath. Decade of Disillusionment: The Kennedy-Johnson Years. (America since World War II.) Bloomington: Indiana University Press. 1975. Pp. xvi, 332. $12.50 Get access Alexander Charles C.. Holding the Line: The Eisenhower Era, 1952–1961. (America since World War II.) Bloomington: Indiana University Press. 1975. Pp. xviii, 326. $12.50. Heath Jim F.. Decade of Disillusionment: The Kennedy-Johnson Years. (America since World War II.) Bloomington: Indiana University Press. 1975. Pp. xvi, 332. $12.50. Herbert S. Parmet Herbert S. Parmet Queensborough Community College City University of New York Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 81, Issue 3, June 1976, Pages 692–693, https://doi.org/10.1086/ahr/81.3.692 Published: 01 June 1976

Reviewed by: A Case for Charpentier: Treatise on Accompaniment and Composition trans. and ed. by Carla E. Williams Andrew Woolley A Case for Charpentier: Treatise on Accompaniment and Composition. Translated and edited by Carla E. Williams. (Historical Performance.) Bloomington: Indiana University Press, 2020. [xxvii, 146 p. ISBN 9780253051615 (hardback), $35; also available as e-book, ISBN and price vary.] Music examples, illustrations, table, bibliography, index. A Case for Charpentier is an edition with English translation of a late seventeenth-century or early eighteenth-century French music theory manuscript. It follows on from published translations of several other important sources that have been long available, including Etienne Loulié's Elements or Principles of Music (ed. Albert Cohen [New York: Institute of Mediaeval Music, 1965]), Michel de Saint-Lambert's Principles of the Harpsichord (ed. Rebecca Harris-Warwick [Cambridge: Cambridge University Press, 1984]), A New Treatise on Accompaniment: With the Harpsichord, the Organ, and with Other Instruments (ed. John S. Powell [Bloomington: Indiana University Press, 1991]), and Denis Delair's Accompaniment on Theorbo and Harpsichord (ed. Charlotte Mattax [Bloomington: Indiana University Press, 1991]). The study is particularly valuable for placing the source in the context of these and other similar tracts of the period and for providing a lucid translation in parallel with an edition of the original French. The source is headed "Traité de accompagnement" and is part of a miscellany volume acquired by the Lilly Library, Indiana University, in 2000. (The call number is Vault MT530.B73.) Besides the "Traité," the miscellany contains a printed musette treatise by Pierre Borjon de Scellery (1672) and an anonymous satirical play. The title of Carla Williams's edition and translation derives from the six leaves at the end of the "Traité," which are written in the hand of Marc-Antoine Charpentier (1643–1704)—one of only two short pieces of music-theoretical writing known to exist in the hand of this major seventeenth-century composer. Identified by Patricia Ranum [End Page 420] as a Charpentier autograph in 2009, these leaves are known as Manuscript "XLI" because of a figure on the first page that Charpentier copied. (Similar roman numerals appear in his "Meslanges autographes"; Charpentier apparently used them to indicate works he had produced for patrons who were not his regular employers.) A scholarly literature already exists concerning Charpentier's manuscript, including an essay by Ranum ("Discovered at the Lilly Library: Manuscript 'XLI,' an Autograph Theoretical Work by Marc-Antoine Charpentier (late 1698)," Panat Times, http://ranumspanat.com/xli_masterpg.html [accessed 9 September 2022]) and a partial translation by John S. Powell ("A French Baroque Primer: Étienne Loulié's Élements, ou Principe de musique (1696)," Early Music Performer, nos. 33–34 (2014): 4–17 and 27–38, freely available online at National Early Music Association: Early Music Performer Archive, http://earlymusic.info/EMperformer.htm [accessed 9 September 2022]). As well as discussing the authenticity of Charpentier's manuscript and its dating, the literature has considered the manuscript's relationship to the "Règles de composition de Monsieur Charpentier" that survive in manuscripts copied by the music theorist Étienne Loulié (1654–1702). Comparatively little attention, however, has been paid to the first twenty-seven leaves of the "Traité" in the hand of the anonymous individual Williams designates as "Writer A." Williams's complete edition of the "Traité" redresses this imbalance. A reference to "several curious essays" under the heading "Second Part" in a table of contents (transcribed complete by Williams) has been taken to mean that Writer A was in possession of Charpentier's manuscript, though it also suggests that the "Traité," as it survives in the miscellany, is incomplete; only Charpentier's is present among the "curious essays." In the introduction to A Case for Charpentier, Williams demonstrates Writer A's considerable familiarity with contemporary French music theory tracts, including the fifth edition of Michel L'Affilard's Principes très faciles pour bien apprendre la musique (Paris, 1705), which suggests that at least one portion of the "Traité" was copied after Charpentier's death. She also points to several instances where Writer A paraphrases or quotes Charpentier's writings, sometimes citing them directly, as in the reference "got from the late Charpentier...

Book Review Sexual Behavior in the Human Male By Alfred C. Kinsey, Wardell B. Pomeroy, and Clyde E. Martin. 804 pp. Bloomington, Ind., Indiana University Press, 1998. $49.95. 0-253-33412-8 Sexual Behavior in the Human Female By the Staff of the Institute for Sex Research, Indiana University, with Alfred C. Kinsey, Wardell B. Pomeroy, Clyde E. Martin, and Paul H. Gebhard.

A harmonious state of things is often perceived idyllic. It is devoid of cacophony, hostility, and dissension. It denotes peace, accord, and a relationship characterized by a lack of conflict. True harmony goes much deeper than absence of conflict or condemnation for the lack of peace. This paper presents the challenges to harmony using the theory of care ethics. It will unveil the possibilities of care, even if it was initially lodged at home and family. Using an expansive view, this paper claims that harmony is not farfetched if nations bring to the table the ethics of care. Hinged on care ethics are the principles of collective praxis, peace, and solidarity which enrich human potentials and makes interconnections, and solidarity possible. Thus, the paper will employ philosophical and theological analysis that addresses the following: 1) Care ethics as an ethical concept with myriad variants, yet praxis-driven; 2) Pope Francis’ Laudato Si’ as an appeal to foster care for all; 3) A theological reinterpretation of “rada”, and 4) Care ethics as an injunction to revalue care as a social good. Incorporating Pope Francis’ message in Laudato Si’, this paper hopes to underscore promoting a culture of caring through collective dialogue.
 References
 Anderlik, Mary R. The Ethics of Managed Care: A Pragmatic Approach. Bloomingdale: Indiana University Press. 2001. 
 Blair-Loy, Mary. Competing Devotions: Career and Family among Women Executives. Cambridge, Massachusetts: Harvard University Press. 2003.
 Frank Parsons, Susan, ed. The Cambridge Companion to Feminist Theology. Cambridge: Margaret Beaufort Institute of Theology, 2002.
 Frank Parsons, Susan. Feminism and Christian Ethics. Cambridge: Cambridge University Press, 1996.
 Gardner, E. Clinton. Justice and Christian Ethics. Cambridge: Cambridge University Press, 1995.
 Gensler, Harry J., Earl W.Spurgin, and James C.Swindal, eds. Ethics: Contemporary Readings. New York: Routledge, 2004.
 Greene-Mccreight, Kathryn. Feminist Reconstructions of Christian Doctrine: Narrative Analysis and Appraisal. Oxford: Oxford University Press, 2000.
 Grimshaw, Jean. Philosophy and Feminist Thinking. Minneapolis: University of Minnesota Press, 1986.
 Groenhout, Ruth E. “I Can’t Say No: Self-Sacrifice and an Ethics of Care,” in Ruth E. Groenhout and Marya Bower, eds. Philosophy, Feminism, and Faith, pp. 152-174. Bloomington: Indiana University Press, 2003.
 Groenhout, Ruth E. and Marya Bower, eds. Philosophy, Feminism, and Faith. Bloomington: Indiana University Press, 2003.
 Hampton, Jean. “Feminist Contractarianism,” in in Louise Antony and Charlotte Witt, eds. A Mind of One’s Own, pp. 227–255.
 Boulder, Colo.: Westview Press, 1993.
 Held, Virginia. ‘The Ethics of Care’ in David Copp, ed. The Oxford Handbook of Ethical Theory. New York: Oxford University Press, 2006.
 Held, Virginia. The Ethics of Care: Personal, Political, and Global. Oxford: Oxford University Press, 2006.
 Hilkert Andolsen, Barbara. “Agape in Feminist Ethics,” The Journal of Religious Ethics 9 (1981): 69–83.
 Hoagland, Sarah Lucia. “Some Thoughts on ‘Caring,’” in Claudia Card, ed. Feminist Ethics, pp. 246–63. Lawrence: University Press of Kansas, 1991.
 Hoffman, Martin L. Empathy and Moral Development: Implications for Caring and Justice. Cambridge: Cambridge University Press, 2000
 Homiak, Marcia. “Feminism and Aristotle’s Rational Ideal,” in Louise Antony and Charlotte Witt, eds. A Mind of One’s Own, pp.1–18. Boulder, Colo.: Westview Press, 1993.
 Hoose, Bernard. Christian Ethics: An Introduction. London: Continuum, 1998.
 Isherwood, Lisa and Kathleen McPhillips, eds. Post-Christian Feminisms: A Critical Approach. Hampshire. England: Ashgate, 2008.
 Jardine, Alice and Paul Smith, eds. Men in Feminism. New York: Routledge, 1987.
 Kieran Cronin. Rights and Christian Ethics. Cambridge: Cambridge University Press, 1992.
 Macrae, Janet A. Nursing as a Spiritual Practice: A Contemporary Application of Florence Nightingale's Views. New York: Springer Publishing Company. 2001.
 Michael Slote, Morals from Motives. New York: Oxford University Press, 2001.
 Murphy, Peter F. Feminism and Masculinities: Oxford Readings in Feminism. Oxford: Oxford University Press, 2004.
 Murray, Mary. The Law of the Father? Patriarchy in the Transition from Feudalism to Capitalism London: Routledge, 1995.
 Outka, Gene. “Universal Love and Impartiality.” In Edmund Santurri and William Werpehowski, eds. The Love Commandments: Essays in Christian Ethics and Moral Philosophy. Washington, D.C.: Georgetown University Press, 1992.
 Parks, Jennifer A. No Place Like Home? Feminist Ethics and Home Health Care. Bloomingdale: Indiana University Press. 2003.
 Post, Stephen. A Theory of Agape: On the Meaning of Christian Love. Lewisburg, Pa.: Bucknell University Press, 1990.
 Ramsey, Paul. Basic Christian Ethics. Louisville: Westminster/John Knox Press, 1993.

In the first socialist systsem culture was more than a realm of artistry and aesthetics.1 It was often another dimension of a fierce struggle—ideological and political—against the bourgeoisie (Whit...

By nominating his confidante, Susan E. Rice, as ambassador to the United Nations and restoring the post's cabinet status, President Barack Obama enunciated his “belief that the UN is an indispensab...

Mobilising the Monster: Modern Disabled Performers’ Manipulation of the Freakshow

American EthnologistVolume 12, Issue 3 p. 549-553 Free Access comments on semlotic anthropology Milton Singer, Milton Singer University of ChicagoSearch for more papers by this author Milton Singer, Milton Singer University of ChicagoSearch for more papers by this author First published: August 1985 https://doi.org/10.1525/ae.1985.12.3.02a00150Citations: 3AboutPDF ToolsExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL References Cited *For complete citation of any work not cited below, see Man's Glassy Essence: Explorations in Semiotic Anthropology by Milton Singer (Bloomington: Indiana University Press, 1984). Bakhtin, M. 1981 The Dialogic Imagination. Austin: University of Texas Press. Max H. Fisch, ed. 1982 Writings of C. S. Peirce: A Chronological Edition. Volume 1, 1857–1866. Bloomington: Indiana University Press. Leach, E. 1985 Review of Man's Glassy Essence: Explorations in Semiotic Anthropology, by Milton Singer. American Ethnologist 12: 154– 156. Sebeok, T. A. 1985 Grant's Final Interpretant. Modern Language Notes. T. A. Sebeok, ed. 1978 Signs, Sound and Sense. Bloomington: Indiana University Press. Singer, M. 1983 The Semiotics of Play: A Bridge between Nature and Culture Reviews in Anthropology 10: 9– 23. Singer, M. in press a The Semiotics of Ritual: Radcliffe-Brown's Legacy: Essays in Honor of M. N. Srinivas. A. M. Shah et al., eds. New Delhi: Asia Publisher. Singer, M. in press b The Semiotics of the Id: Essays in Honor of Melford Spiro. D. Jordan and M. Swartz, eds.. Singer, M. in press c The Melting Pot: Symbolic Ritual or Total Social Fact? In H. Varenne, ed. The Symbolization of America. Lincoln: University of Nebraska Press. Singer, M. in press d A Semiotic of the City. International Journal of Asian Studies. Special issue. L. P. Vidyarthi and M. M. Ames, eds.. Stocking, G. W., Jr. 1979 Anthropology at Chicago: Tradition, Discipline, Department. Regenstein Library, University of Chicago. Citing Literature Volume12, Issue3August 1985Pages 549-553 ReferencesRelatedInformation

Women and Gender in Southern Africa to 1945 edited by Cheryl Walker Cape Town, David Philip; London, James Currey; 1990. Bloomington, Indiana University Press, 1991. Pp. ix+390. 12·95/£9·95 paperback. - Volume 30 Issue 4

Journal Article Alan F. Wilt. War from the Top: German and British Military Decision Making during World War II. Bloomington: Indiana University Press. 1990. Pp. ix, 390. $35.00 Get access Wilt Alan F.. War from the Top: German and British Military Decision Making during World War II. Bloomington: Indiana University Press. 1990. Pp. ix, 390. $35.00. Martin Kitchen Martin Kitchen Simon Fraser University Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 97, Issue 1, February 1992, Pages 187–188, https://doi.org/10.1086/ahr/97.1.187-a Published: 01 February 1992

Journal Article Kathleen Kennedy. Disloyal Mothers and Scurrilous Citizens: Women and Subversion During World War I. Bloomington: Indiana University Press. 1999. Pp. xx, 170. $27.95 and Kathleen Kennedy. Disloyal Mothers and Scurrilous Citizens: Women and Subversion During World War I. Bloomington: Indiana University Press. 1999. Pp. xx, 170. $37.50 Get access Kennedy Kathleen. Disloyal Mothers and Scurrilous Citizens: Women and Subversion During World War I. Bloomington: Indiana University Press. 1999. Pp. xx, 170. $27.95. Zeiger Susan. In Uncle Sam's Service: Women Workers with the American Expeditionary Force, 1917–1919. Ithaca: Cornell University Press. 1999. Pp. x, 211. $37.50. Nancy K. Bristow Nancy K. Bristow University of Puget Sound Search for other works by this author on: Oxford Academic Google Scholar The American Historical Review, Volume 106, Issue 2, April 2001, Pages 583–585, https://doi.org/10.1086/ahr/106.2.583 Published: 01 April 2001