Karaite Synagogue Poets

Abstract

This chapter examines the Karaite synagogue poets. The Karaites, a Jewish sect originating in the first half of the eighth century, are distinctive mainly because of their refusal to accept the authority of the talmudic-rabbinic tradition. Although the Karaites were at odds with their Rabbanite brethren in matters relating to Jewish law, they readily adopted the latters’ models in hymnography. The Karaite liturgy, which in the early years of the sect consisted of recitation from the Psalms and other scriptural readings, soon developed into rich and varied genres for fasts and feasts. The new hymnography was preserved in the thirteenth-century Karaite prayer-book edited by the scholar-poet Aaron b. Joseph the Elder from Crimea and Constantinople. Like their Rabbanite counterparts, Karaite hymnists served a didactic function, instructing the laity in their religious obligations. Karaite poets also used the liturgy as a means of instructing their congregations in current philosophical issues, particularly those relating to Jewish Neoplatonism and the nature of the soul. In their aesthetic function, Karaite hymnists resembled the Rabbanite Hispanics, favouring Arabic quantitative metres and verse forms. Caleb Afendopolo (d. 1525) of Kramariya (near Constantinople) was the master of this poetic art, as seen in his liturgical (and secular) writings.