Abstract
In Sarah J. Arroyo’s work, she reflects on the intense impact John Lennon’s song, “Watching the Wheels” had on her at age 10. This impact existed outside of John’s public persona since she was unaware of his cultural influence at the time. Decades later, she analyzes John and Yoko’s last interview conducted hours before his death where they discuss their album Double Fantasy, the album that contains “Watching the Wheels.” She experiences a punctum of recognition and argues that John and Yoko used choric invention in their creative processes and were electrate before their time.
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