Abstract
This article illustrates diverse Jewish Canadian theatrical experiences showcased at the Chutzpah! Festival by discussing two cutting edge productions: Kendra Fanconi’s The One That Got Away (2002) and Itai Erdal’s How to Disappear Completely. These productions demonstrate the growth of the Chutzpah! Festival from its 2001 inception to its current place as a leading annual arts festival in Vancouver. There is no distinguishable group that solely presents Jewish theatre in Vancouver, but its vibrant theatre community includes many individuals who create or participate in work that explores Jewish themes and material whether or not they themselves, or their collaborators, are Jewish.
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