Abstract
The history of rock and roll has long provided fertile ground for what the scholar K. Merinda Simmons identifies as a “‘post-black’ rhetorical schema” (2015: 13). As Simmons describes it, this schema advocates access, agency, flexibility, fluidity, mobility, and the ultimate autonomy of the individual, opposing what it asserts is a “problematically dated […] philosophy,” in particular America’s stark black-and-white racial structure (ibid.). From Maureen Mahon’s Right to Rock (2004), an ethno...
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
