Abstract
The aim of this chapter is to add to the existing research of modern right-wing terrorism the concept of the “aesthetics of the manhunt”; namely, the author's intention is to show that the terrorist attacks in Norway (2011) and New Zealand (2019) by Anders Breivik and Brenton Tarrant, respectively, have transformed the way we understand right-wing terrorism, including the characteristics of a manhunt between a predator and innocent human prey, as well as the use of technology, mainly livestreaming, to aestheticize the terrorist attack and attract more followers via the explicit visualization of this manhunt.
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