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Isotopes of feather art: location, husbandry, production and antiquity

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ABSTRACT The provenance, antiquity, duration of production, animal husbandry and geographical location of materials used to make one of the largest feather art objects ever produced are explored via analysis of four stable isotopes (δ 2H, δ 18O, δ 13C and δ 15N) combined with radiocarbon measurements. We document the monotonously fed rearing of thousands of captive macaws in the Amazon region and the acquisition of camelid fibres from the high Andes to produce ninety-six large feather panels. Multiple radiocarbon dates from both feathers and fibres confirm the Wari (600–100 AD) origin of the panels and suggest a short and intensive production schedule. Stable isotopes document the collection of materials that took the artisans over hundreds of kilometres from the Amazon to near the Pacific coast.

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Deve-se à penetração dos sertões pelos expedicionários, missionários, entradistas e bandeirantes a realização física da expansão colonial portuguesa na América; e ao Tratado de Madri, a inteligência e a prioridade política para a manutenção dessa conquista territorial tão singular. Com base nesse acordo, o Brasil independente teria sua área total mais que triplicada e logo trataria de oficializar suas fronteiras com as nações sul-americanas recém-formadas; processo que não ocorreu no restante da América hispânica e nem mesmo na América do Norte, em que as grandes alterações de fronteiras se deram depois da independência. A Amazônia, a despeito de todas as dificuldades para sua colonização, permaneceu brasileira graças ao esforço e ao empenho político empreendidos por Portugal para manter essa vasta região como parte de seu império colonial ultramarino\n

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Oil palm: a sustainable agro-industry in Colombia
  • Mar 1, 2005
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