Abstract
This paper offers a genealogical sketch of the figure of the Muslim Other as it is figured in the post-Cold War popular and political imaginary. It explores why ‘culture’ has acquired a putative explanatory power in the post-Cold War (geo)politics. In addressing differentialist racism, it posits Islamophobia as an ideological response that conflates histories, politics, societies and cultures of the Middle East into a single unified and negative conception of an essentialized Islam, which is then deemed incompatible with Euro-Americaness. In this context, the category of brown, once the signifier of an exotic Other, is undergoing a transformation in conjunction with the deepening of Islamophobia, a formation that posits brown, as a strategy of identification, as alterity to the Euro-Americanness, and as terror and threat.
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