Introduction

Abstract

Abstract This special issue is intended to take forward a sympathetic reconceptualization of the pleasures of popular film and of related forms such as soap operas and pornography. The five articles contained in the special issue vary in length and scope, and are followed by a response piece from a senior scholar. We hope that the dialogic mix of case studies and theoretical or survey approaches brings a liveliness to the treatment of pleasure, and indeed that it encapsulates our sense that pleasure retains a conceptual elusiveness, no matter how often discussed (or experienced). We acknowledge the elusiveness in this introduction, which we have cast in the form of a dialogue to acknowledge our individual motivations and to indicate the different academic and cultural contexts in which we, the two editors, work. We jointly describe the content of the articles at the end of the dialogue.