Abstract
The purpose of the article is due to the need to study the peculiarities of the interpretation of the artistic texts of the vocal cycle of F. Poulenc on the poem by M. Karem "Straw" in the intermedial space. The methodology is based on an integrated approach using comparative, structural, interdisciplinary methods and narrative analysis to understand the psychological processes that arise when interpreting a vocal cycle, involves the inclusion of the problem of analysis in the space of art history and cultural discourse in an interdisciplinary context. Scientific novelty the scientific novelty lies in the fact that the vocal cycle of F. Poulenc was first investigated as a full-fledged semiotic space, a universal plane of the textual category of intertextuality, which, along with the specific characteristics of its sign system, conveys "figurative" information. Conclusions Analysis of philosophical, musicological, art criticism literature gives grounds to assert that the intermediality of vocal work is closely related to the concepts: "synthesis of arts", "narrative", "ekphrasis", "synesthesia", "suggestion", etc. F. Poulenc to poems by M. Karem “A Short Straw” is a full-fledged semiotic space that corresponds to the universal textual category of intertextuality, which, along with the specific characteristics of its sign system, conveys “figurative” information. The intermediality of vocal work is based on the interaction of artistic codes of various types of arts, as the formation of an integral poly art space in the cultural system. The combination of narrative and intermedial approaches to musical works is increasingly becoming one of the most relevant trends in modern musicology, the further development of the theory and practice of intermediality.
Highlights
Vezhnevets Iryna, Ph.D. in Arts, Senior lecturer of the Department of the Modern Art Music of the National Academy of Culture and Arts Management
Intermediality and problems of interpretation of the vocal cycle "The Short Straw" of Francis Poulenc The purpose of the article is due to the need to study the peculiarities of the interpretation of the artistic texts of the vocal cycle of F
The methodology is based on an integrated approach using comparative, structural, interdisciplinary methods and narrative analysis to understand the psychological processes that arise when interpreting a vocal cycle, involves the inclusion of the problem of analysis in the space of art history and cultural discourse in an interdisciplinary context
Summary
Аналіз досліджень і публікацій багаторівневих в’язків камерно-вокальних творів Ф. Пуленка з авангардною французькою поезією, взаємодії сучасної естетики сюрреалізму, поетичного символізму, традиційних вокальних жанрів і акторського мистецтва співака присвячено наукові праці Що дає ґрунтовний матеріал для інтерпретації творів. Порівняння мистецтв», 1948), де виокремив чотири сфери зв’язків і спільних елементів (ритм, акцент, фраза), випадки співіснування (камерна і оперна музика), впливи музики на літературу (репетиція, варіація, музичні форми, як наприклад, фуга, музична символіка тощо), і впливи літератури на музику (програмна музика). Н. Тишуніна характеризує інтермедіальність як «особливий тип внутритекстових взаємозв’язків у художньому творі, оснований на взаємодії художніх кодів різних видів мистецтв» [11, 153]. Тому інтермедіальний аналіз презентує всі якості форм взаємодії знакових систем різних видів мистецтва (література – музика – кінематограф – фотографія – балет–живопис), що висвітлено у працях науковців
Sign-in/Register to view highlights & summary Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callMore From: Collection of scientific works “Notes on Art Criticism”
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
