Interesting Haydn: On Attention's Materials

Abstract

This article examines the idea of interest and the interesting in the late eighteenth century through Haydn's London experiences of the 1790s. It argues that several of Haydn's London compositions, together with the surviving records of his English trips, bear the traces of a metropolitan mediascape and urban commercial environment in which attention and desire were newly conceivable in terms of the psychic “investments” of interest—a concept that notably oscillates between what we would nowadays consider separate economic and aesthetic meanings. Looking again at Haydn's late encounter with England's burgeoning commercial society might prompt musicologists to rethink the nature of their own scholarly interests, as well as the deeper histories of currently popular methodological paradigms that aim to resolve musicology's objects of study into networks of people and things gathered together by entangled interests and “concerns.”