Abstract
This practice-based paper reflects on my quilt commissioned for the Beyond the Binary project at the Pitt Rivers Museum. The quilt pieces together fragments from the Pitt Rivers collection and the personal archive of Fisch, aka King Frankie Sinatra, Drag King and Rebel Dyke. Through an autoethnographic narrative, threaded through with queer and feminist psychoanalytic theories, this paper reflects on the reparative qualities of the quilt, and its potentiality as a site for affective resonances and transformative possibilities in the aftermath of historical lesbian trauma.
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