In the Early Days of Romanian Language Teaching in Italy. The Grammar of Romeo Lovera

The compositional features were considered and the portals of the facades of buildings of the late 19th and early 20th centuries were classified. in Kyiv. Their symbolism, structure and structural construction, stylistics and characteristic architectural and decorative features were studied. The purpose of the study: to investigate and analyze the compositional, stylistic and semantic features of the portals of the facades of buildings of the late 19th and early 20th centuries. in Kyiv, to develop the principles of classification of portals and conduct their classification. Methodology. The research was conducted on the basis of the following methods: empirical, theoretical and empirical-theoretical. The empirical method includes observation, photo-fixation, graphic sketches and constructions, comparisons and generalizations. Theoretical techniques include: going from the abstract to the concrete, abstraction, concretization, identification and separation. Most of the work was carried out using empirical and theoretical methods. The results. Photographs, graphic sketches and classification of building portals of the late 19th and early 20th centuries were carried out. in Kyiv based on the developed compositional-constructive and stylistic principles of classification. It was found that the portals are located mainly on the main compositional axes of the facades of historical buildings, namely on the main vertical divisions, which are highlighted by risalites, bay windows, attics, towers and often changed scale and shape of windows. The role of the portals in the overall composition of the building and the problem of violation of the compositional integrity of the facades due to the replacement or destruction of individual parts and elements of the portals have been revealed. In particular, as a result of unsuccessful repairs and renovations in some buildings of the historical center, the entrance doors were replaced with faceless, rough, unscaled ones, which distorted not only individual facades, but also entire sections of the urban environment. The scientific novelty and practical significance of the research lies in the identification of the compositional and semantic features of the portals of the facades of Kyiv buildings of the late 19th and early 20th centuries, as well as in the detailed analysis of the compositional structure, constructive and stylistic components of the portals. A scientific novelty is the developed classification of the portals of the historical buildings of Kyiv. The research will contribute to the deepening of theoretical and practical knowledge about the peculiarities of Kyiv portals of the specified period, which can be used in the restoration and reconstruction of buildings of the late 19th - early 20th centuries. in Kyiv. The developed classification of portals will be a useful educational reference material for students - future architects and designers who are interested in the peculiarities of Kyiv's historical buildings.

Although at least thirty-five women were buried in the earlier necropolis at Vron during the period between ca. 370 / 75 and ca. 435 / 45, only three of them were equipped with typically Germanic brooches or other elements of dress. Such a low proportion of women whose dress was secured according to the Germanic custom by means of brooches, is not unusual in the burial sites of Northern Gaul, and indeed clearly distinguishes these from the burial grounds on the right bank of the Rhine in free Germania, where practically all the women used one or more brooches to fasten their clothing, and were subsequently buried with them. The evidence from Vron, as from other comparable military burial sites to the west of the Rhine (e.g. Oudenburg, Vermand, Vireux-Molhain), attesting how few women were buried with brooch jewellery , may indicate either that in actual fact very few Germanic women had accompanied their men-folk into Northern Gaul, or that the majority of women of barbaric origin had, in the process of cultural assimilation, abandoned their exotic costume at a very early date and now favoured Gallo-Roman dress. Among the typically Germanic dress ornaments observed at Vron, one may distinguish five different brooch types and one hairpin type, analysed below: 1. Simple cross-bow brooches belong to the most frequently attested and geographically widespread group of Germanic women's brooches in the 4 th and 5 th centuries (mid-4 th to mid-5 th centuries) between the Elbe and the Loire (fig. 2). They are almost invariably made of bronze, as are the two examples from Grave 163A and Pit 9. The brooch from Grave 163A, worn as a single item, is remarkable for its greater length, its short spring, and upper chord. These rather unusual features appear most frequently in the simple cross-bow brooches from the Lower Rhine and Westphalia. There, this unusual form may be dated chiefly to the first half of the 5 th century. This corresponds to the chronology proposed by Cl. Seillier, who attributes, on other evidence, Grave 163A to his Phase 3 (= ca.415/20-435/45). 2. Cross-bow brooches with a trapezoid foot-plate represent a further typological development of the simple cross-bow brooch. The silver brooch from Grave 242A possesses in addition a beaded wire decoration on the bow, together with a stamped metal plaque covering the trapezoid foot-plate, features which enable it to be classed with the Vert-la-Gravelle variant (fig. 3). This form of brooch, known almost exclusively by the archaeological evidence from the left bank of the Rhine is probably to be interpreted as the product of workshops in Northern Gaul, which are known to have manufactured other types of Germanic costume ornaments for the wives of foederati (see below). Comparison with the very similar brooches from Grave 7 at Vert-la-Gravelle (Mame) enable this example from Vron to be dated at the earliest to the last third of the 4 th century or to the turn of the century. The location of the inhumation within the burial ground suggests a date within Seillier's Phase 2 (= ca. 390-415/20). 3. The bronze hairpin from the same grave, over 17 cm long, with a small round head, belongs to the Fecamp type (fig. 4), known chiefly from the Germanic female burials and other archaeological evidence found in Westphalia and the Lower Rhine.

The aim of this study is to elaborate comparative portraits of Korean and Japanese beauty in the late 18th and early 19th centuries. Six portraits of beauty in the Korean Joseon Dynasty (early 19th century) and 5 in Japanese Edo Dynasty (late 18th century) were analyzed. Twenty anthropometric items were applied to the measure of the features on each portrait and 18 proportional indices of the face were calculated. Among the 18 indices, Korean and Japanese beauty did not show any significant differences in 13, but in 5: 1) the ratio of eye fissure to intercanthal distance was greater in Japanese beauty; 2) eye inclination was greater in Japanese beauty; 3) the ratio of nasal width to intercanthal distance was greater in Japanese beauty; 4) the ratio of nasal and facial width was greater in Korean beauty; and 5) the ratio of vermilion size to mouth width was greater in Japanese beauty. It is assumed that Korean had narrower eye fissure, lower eye inclination, wider nasal ala, and thinner lip than what Japanese craved during that era.

Commentary Adamantia Pollis As a philosophy, liberalism has undergone many transformations since its early formulation in the late 18th century. Its latest manifestation under the guise of neo-liberalism is exemplified by the writings of Allan Bloom. However, in its early embodiment in the late 18th and early 19th centuries, which coincided in western Europe with the emergence of capitalism, the doctrines of liberalism advocated a minimalist state in which individual rights, including but not limited to the right to private property, should prevail. It was the philosophy of the emerging bourgeoisie forged in their confrontation with monarchical power. The rights which they claimed against the state and the freedoms they demanded were designed to further their interests as an economic class and to enable them to acquire political power. Andreopoulos, in his study "Liberalism and the Formation of the Nation-State" in which he undertakes an analysis of the liberalism of Venizelos and the Liberal Party in Greece unfortunately does not clarify his own understanding of liberalism. Consequendy the criteria by which he evaluates the Liberal Party's liberalism remain somewhat obscure. He tends to view the Liberal Party as espousing what he labels radical liberalism according to which the state has a positive interventionist role in promoting freedom, but he concludes that such a role was overshadowed by the Venizelists' devotion to irredentism. And this is the author's most significant contribution. There is little doubt that the Megáli Idea, which embodied Greece's nationalist ideology and its derivative irredentist policies, provided for national unity by transcending the primacy of local identities and loyalties and by deflecting from domestic strife, including class conflict. The Megali Idea however collapsed with the defeat in Asia Minor. Greece turned inwards in an agonizing search for a new unifying symbol which culminated in Metaxas' Third Greek Civilization. While Andreopoulos discusses numerous policies pursued by Journal of Modern Greek Studies, Volume 7, 1989. 227 228 Adamantia Pollis Venizelos he fails to distinguish analytically the post Megali Idea period during which Venizelos' principles and his class allegiance became starkly evident. Hence Andreopoulos' argument is partial, since he cannot explain post 1922 Liberal policies in terms of an abandoned Megali Idea. Venizelos' brand of liberalism was apparent not only after he returned to power in 1928 but earlier when he was selected as leader by the Military League. While the Military League had no coherent ideology and became the focus of discontent among many social groups, Venizelos, its chosen leader, advocated policies beneficial to the diaspora and incipient domestic bourgeoisie while receiving his greatest support from the diaspora bourgeoisie. Later, as capital-labor strife intensified, he not only enacted legislation favorable to the bourgeoisie 's economic interests, but he restricted the rights of workers. He has the distinction of being the first modern Greek political leader to enact repressive legislation. It is in these actions that Venizelos' brand of liberalism becomes apparent. The Megali Idea, while serving as a unifying force, simultaneously served the interests of the diaspora bourgeoisie and the state's hoped for growth of a domestic capitalist class. If liberalism is understood as the ideology of capitalism then clearly the Liberal Party was its proponent. That Venizelos violated individual rights speaks to Greece's particularity in its historical evolution which was not comparable to that of western Europe. Andreopoulos validly criticizes most writing on the Venizelist— Royalist split as highly partisan. However, he also undertakes a rather exhaustive critique of Greek scholars who locate Greece's development either within the Marxist or non-Marxist literature. And while there are legitimate disagreements over the appropriate theoretical interpretation , the basic thrust of his criticism is misplaced. While agreeing that more research is needed on the linkages between the state and the economic oligarchy, which Andreopoulos points to, the fact remains that the state and the state bourgeoisie has been a central actor in the development of Greece. Rejecting the category of state bourgeoisie , in essence replacing it with his people/power dichotomy, the author negates the relevance of class, however defined, as a valid analytic tool for Greece. Unfortunately his power/people categorization is far less explanatory than the analysis provided by Tsoucalas...

The publication, based on the study of biographical and autobiographical information, characterizes the educational, professional artistic, and educational activities of Ukrainian artists of the middle 19th and early 20th centuries. An analysis of the role of artists as active participants in the national, cultural, intellectual, and social life of Ukrainian society is presented. The author has studied not only the artistic heritage of artists, but also their multifaceted activities, which covered educational, journalistic, and organizational spheres. The article highlights theoretical positions on the educational activities of Ukrainian artists, which are illustrated by specific examples of their experience and influence on the state of society and professional and general education in Ukraine in the 19th - 20th centuries. The author touches on the problems of the direction of the high society of the middle 19th - early 20th centuries. on the development of Ukrainian culture and education; highlights biographical and autobiographical information about Ukrainian artists of the 19th - 20th centuries; reveals the role of the educational activities of Ukrainian artists, their influence on the formation of public opinion; focuses on the relationship between artistic activity with educational and pedagogical practice, the organization of art circles, schools, the creation of studios and participation in cultural and educational societies. Their pedagogical work in schools, colleges, and academies contributed to the formation of a galaxy of famous Ukrainian artists who continued the national artistic and educational tradition of their predecessors. The work also highlights the problem of self-identification of Ukrainian artists as educators and public figures, since art is considered a powerful tool for influencing and shaping public opinion, a means of broadcasting the idea of national revival, social and cultural renewal of the state. Artists took the position not only of creators of aesthetic values, but also of leaders of the national idea, founders of an intellectual space capable of uniting society around common ideological values. The publication highlights the need to understand the heritage of Ukrainian artists of the middle 19th and early 20th centuries not only as artists, but also as outstanding figures of education, who contributed to the formation of national identity with their work.

The heights of lower- and upper-class English youth are compared to one another and to their European and North American counterparts in the late 18th and early 19th centuries. The height gap between the rich and poor was the greatest in England, reaching 22cm at age 16. The poverty-stricken English teenagers were among the shortest for their age so far discovered in Europe or North America; in contrast, the English rich were the tallest in the world in their time: only 2.5cm shorter than today's US standard. Height of the poor declined in the late 18th century, and again in the 1830s and 1840s conforming to the general European pattern, while the height of the wealthy tended rather to increase until the 1840s and then levelled off. The results support the pessimistic view of the course of living standards among the ultra-poor in the Industrial Revolution period.

The incentive for writing this book was another book published by the Chemical Society about 60 years ago, titled British Chemists [1] that completely ignored women—as if there had not been any women among the chemists of earlier generations. The authors felt that the early women chemists in Britain, quite a few of them working already as early as the late 19th century, deserve credit. The book wholly justifies this. As the Introduction tells us, these women chemists rarely received recognition; most of them were unmarried and could never play a leading role in the profession. But they were most enthusiastic about and dedicated to chemistry—this is what must have given them the strength to fight all barriers. The first of these barriers was getting a secondary education (Chapter 1, ‘‘Setting the Scene’’) and then being accepted to a university. In secondary schools— as the Rayner-Canhams argue—throughout the early 20th century, there was ambivalence about why girls need an academic education at all. It was assumed that most girls would become wives and mothers and only a small minority would be interested in pursuing a career. Who would then be the curriculum aimed at? This reminds us of the American movie, Mona Lisa Smile, set in the 1950s in a rich private New England liberal arts college for women, where even some of the most intelligent and interested girls thought that their role in life was to be a good housewife and mother—and only that. If this was still the attitude in the United States in the 1950s, certainly it was even more so in the late 19th and early 20th century probably everywhere. It is quite astounding to read how relatively early, already in the late 19th century, the demand for university education appeared among women. The authors ascribe this to several factors. In the second half of the 19th century, several women’s organizations were established that stood up for higher education for middle-class women. In fact, middle-class women started to look much farther than ever before when planning their future. Several magazines supported this attitude. One example from an article in 1914 [2]: ‘‘Woman is taking to herself a new significance. She is discovering that she, as well as man, has another M. Hargittai (&) Materials Structure and Modeling Research Group of the Hungarian Academy of Sciences, Department of Inorganic and Analytical Chemistry, Budapest University of Technology and Economics, P.O. Box 91, 1521 Budapest, Hungary e-mail: hargittaim@mail.bme.hu

Background. The concept of linguistic situation, traditionally studied in sociolinguistics, means the totality of all languages used in a country to facilitate communication at all societal levels. Over the past few decades, the problem of the linguistic environment and the simultaneous use of two or more languages in the same geographical space has been studied not only in sociolinguistics but also in urban linguistics, discourse studies and many other branches of the humanities, primarily in the context of the dialogue of cultures. The form of language functioning (or several languages) in a specific geographical space is defined as the linguistic landscape. The term "linguistic (semiotic) landscape" is synonymous with a number of other terms used by modern sociolinguists: linguistic market, linguistic mosaic, ecology of languages, diversity of languages, or linguistic situation, etc. The specific components of the linguistic landscape, as well as the cultural and historical prerequisites for its formation, require deeper investigation using documented linguistic sources from territories where active intercultural and interlingual contacts have been ongoing for a long time. Galicia and Bukovina at the turn of the 19th and 20th centuries were undoubtedly such territories. An integral component of the urban linguistic landscape of that time, one of its graphic markers and identifiers, was Ukrainian advertising published in Galician and Bukovinian periodicals. The actuality of the study stems from the need to examine the historical, factual, socio-cultural, and linguistic aspects of the formation of the advertising style of the Ukrainian language, particularly in the context of the linguistic situation of Bukovina and Galicia at the turn of the 19th and 20th centuries. This will contribute to forming a holistic understanding of the general and specific features of Ukrainian advertising texts of this period and understanding of Ukrainian advertising as a linguistic and cultural phenomenon. Methods. To study advertising announcements published in Galician and Bukovinian periodicals at the turn of the 19th and 20th centuries (newspapers “Dilo”, “Bukovyna”, “Dobri Rady”, “Kalendar Prosvity”, “Bukovynsky Kalendar”), the methods of primary source processing, source base sampling, analytical review, descriptive-interpretative, and comparative analysis were applied. Results. At the turn of the 19th and 20th centuries, Ukrainian advertising texts aimed at disseminating new knowledge and, at the same time, had to attract the attention of potential clients and influence the psychology of the addressee. These tasks defined the informative and persuasive function of advertising during the studied period, which had all the characteristics of a modern advertising text and included the following main structural elements: 1) headline (in terms of content, these were mainly names of establishments, enterprises, personal names of entrepreneurs); 2) customer appeal c; 3) information block; 4) font and other graphic means of information actualization; 5) signatures and comments; 6) graphic and illustrative components (frame, font, product images, decorative highlighting elements). A characteristic feature of Ukrainian print advertising of the late 19th and early 20th centuries were components determined by interference factors: 1) German or Polish spellings of proper names, product names, contact information; 2) parallel spelling (glossing) of advertised product names in at least two languages; 3) use of borrowings from German, Polish, and Romanian languages, adapted in southwestern dialects or urban koinēs due to lexical interference; 4) application of different graphic and orthographic systems of the Ukrainian language (“maksymovychivka” and “kulishivka”). Discussion and conclusions. Ukrainian advertising texts of the late 19th and early 20th centuries are a component of the linguistic (semiotic) landscape of that time, as they reflect in their graphic and semantic content the functioning of the Ukrainian language in contact with other languages – German, Polish, and Romanian, which for the studied period should be considered co-territorial languages. Foreign language components characterize both the graphics, content, and textual stylistics of Ukrainian advertising of the studied period, thanks to which it emerges as a sociolinguistic and cultural-historical phenomenon reflecting the corresponding period of the development of the Ukrainian literary language. Further research of the general and specific features of Ukrainian advertising of the late 19th and early 20th centuries is necessary for the creation of generalizing theoretical works on advertising studies and specialized dictionaries of Ukrainian advertising.

The paper examines the fall of marital fertility in Tasmania, the second settled Australian colony, in the late 19th and early 20th centuries. The paper investigates when marital fertility fell, whether the fall was mainly due to stopping or spacing behaviours, and why it fell at this time. The database used for the research was created by reconstituting the birth histories of couples marrying in Tasmania in 1860, 1870, 1880 and 1890, using digitised 19th century Tasmanian vital registration data plus many other sources. Despite Tasmania’s location on the other side of the world, the fertility decline had remarkable similarities with the historical fertility decline in continental Western Europe, England and other English-speaking countries. Fertility started to decline in the late 1880s and the fertility decline became well established during the 1890s. The fall in fertility in late 19th century Tasmania was primarily due to the practice of stopping behaviour in the 1880 and 1890 cohorts, although birth spacing was also used as a strategy by the 1890 cohort. The findings provide support for some of the prominent theories of fertility transition.

The aim of this thesis is to examine the fall of marital fertility in Tasmania, the second settled Australian colony, in the late 19th and early 20th centuries. In this thesis I use quantitative and qualitative data to investigate when marital fertility fell, how it fell—that is, was the fall due to starting, stopping or spacing behaviours— and why it fell at this time. In looking at why fertility fell, I examine how my findings support theories of why fertility fell during the fertility transition. This study used digitised 19th century Tasmanian birth registration data plus many other sources to reconstitute birth histories of couples marrying in Tasmania in 1860, 1870, 1880 and 1890. This provides an individual-level data base which allows the use of both bivariate and multivariate methods of analysis. The qualitative analysis looks at the historical context of Australia, and of Tasmania specifically, and at historical sources such as witness statements from the 1903 NSW Royal Commission into the Decline in the Birth Rate, articles and items from the late 19th and early 20th century Tasmanian newspapers, stories about couples in the marriage cohorts and two diaries of upper class Tasmanian women. The thesis concludes that fertility started to decline in the late 1880s and the fertility decline became well established during the 1890s. The fall in fertility in late 19th century Tasmania was primarily due to the practice of stopping behaviour in the 1880 and 1890 cohorts, although birth spacing was also used as a strategy to limit fertility by the 1890 cohort. Since the thesis provides evidence to support most of the prominent theories of fertility transition, I conclude that the fertility transition was an integral part of the broader social and economic change that occurred in this period of history.

Heritage buildings and their surrounding are inseparably intertwined. Anthropological, cultural, symbolic, religious and technical factors are influencing the choice of constructive and architectural features and their interconnection. An important part of heritage buildings, influencing the general outlook, defining its aesthetics, shaping the relationship with the urban context and ultimately contributing to the skyline of the city is the roof. In recent years, numerous timber roof structure assessment methodologies have been developed, which assess the roof structure only by its structural features and state of conservation without taking the link between the roof and the building and its surrounding area into consideration. However, considering the principles of the European guilds, heritage buildings were built with no strict division between symbolic meaning, craftsmanship, architectural aesthetics and urban design methods. This results in a “Gesamtkunstwerk”, a total work of art, with harmonically interlinked features and fully connected to its surrounding, leading to a full aesthetic experience. All these features highly influence the aesthetics of the heritage building but also the shape and height of the roof. During the late 19th century and early 20th century, at the dawn of modern architecture and urban design, a bold and aesthetically conscious use of traditional crafts and methods took place in most European cities - the Arts and Crafts movement, Art Nouveau, National Schools. This study aims to define how the relationship between building, roof and the urban context is changing in Timisoara during the late 19th and early 20th century. Ultimately the main scope of the paper is to identify the role of the roof structure in defining heritage structures built around the beginning of the 20th century through a transdisciplinary and interdisciplinary approach.

The work focuses on the period of the late 18th and early 19th centuries. The research observes the prism of the emergence of the Serbian state and carefully considers the development of science. The emergence of modern science in Serbia can be observed and followed in fragments from the Middle Ages to the modern era. The period from the 15th to the 18th century, however, marked almost complete stagnation in all fields, including science. The Turkish occupation interrupted the development of the intellectual thought of the Middle Ages and thus separated the Serbian people from the continuity of thought ideals. The beginning of modern scientific development is chronologically connected to the uprisings of 1804 and 1815. The events that triggered the turmoil in the 18th century were the basis for the development of science and its highest level through the early 19th century. Precisely for this reason, observing the development of science in the chronological period of the late 18th and early 19th centuries reveals the foundations of modern education in our country. In order to understand and perceive the context, the paper also refers to earlier periods of Serbian statehood and science. The paper concludes that the development of statehood in Serbia was closely related to the development of science and that the key participants in those processes understood the importance of the qualifications of state administrators and the very creation of a nation. Competence, in that sense, was understood as the scientific progress of an individual and consequently of the community.

For British Catholic women, conversion was an empowering choice for oneself, rather than a path towards gaining institutionalized power. Lay female converts at the turn of the century were generally privileged, with a worldly understanding of the role of women in British society. Many converts drew on the spirit of female independence at the end of the 19th century to contest their place in British society. For some, their social and financial capital offered an additional position of power from which to push on notions of traditional Britishness and femininity. To have the freedom to choose conversion at all exemplifies this feeling of bodily and mental autonomy rarely exhibited by many women during the late 19th century and early 20th century. This article sheds new light on the expansiveness of the lived, lay Catholic experience in Britain in the late 19th and early 20th centuries through the examples of Mabel Batten (1857–1916) and Radclyffe Hall (1880–1943).

The capitalist economy and industrial revolution developments, dominated the world conjuncture in the 19th century, formed the political infrastructure of European states. The gradual development of production technologies with the industrial revolution caused western countries to search for markets to sell manufactured goods and raw materials to put production Technologies into practice. Commercial firms were marketing their products through intermediary firms or individuals by determining the target market they identified. They run a series of promotional campaigns to make the products or services of companies preferred by people. How these marketing techniques were used by American companies in Mersin, which was a quite new and open port to growth and demand in the late 19th and early 20th centuries, can be found in the letters of American Consulate. The knowledge about the marketing techniques applied by American companies, has been obtained from the letters of the American Consulate. The aim of the study is to reveal how the search for the market in Mersin, port city, which was open to growth in the late 19th century and early 20th century, was carried out by these numerous American companies.

Today Vasyuchyn is a small village with about one thousand inhabitants. The settlement had urban status and was one of the famous craft centers in the past. There was a quarry here, where high-quality natural alabaster stone was mined and processed. Vasyuchyn alabaster had a snow-white color and was famous as a beautiful material for decorating walls, carving sculptures, tombstones and decorative architectural details. Actually, Vasyuchyn alabaster was called in the 17th century "Ruthenian marble" and products made from it were exported abroad. A small alabaster industry operated here at the beginning of the 20th century. The ancient history of the manufactory is unknown to current residents. In this regard, the publication aims to reveal the history of the settlement and perform a hypothetical reconstruction of its architectural and planning structure at the time of the 17th century. A special task is to determine the location of the former Vasyuchyn alabaster manufactory, whose activities were associated with famous sculptors and entrepreneurs of the late 16th and early 17th centuries - Herman van Hutte and Heinrich Horst. The quarry and workshop for the production of alabaster stone sculptures have probably been operating in Vasyuchyn for a long time, but the Dutch masters are responsible for raising it to a new artistic level. Vasyuchyn is one of the lost towns of Galicia. In the 14th-17th centuries, it was a private town with a very rich history. Although the history of Vasyuchyn was quite short from 1444 to 1620, its urban structure was developed and did not differ from neighboring settlements with a city rights - Knyahynychi, Khodoriv, Zhuriv, etc. In the western part of the settlement there was a midtown with a small square market square and a church. A feature of Vasyuchyn was that a mill was located next to the market square. The midtown of Vasyuchyn was surrounded by water obstacles on all sides. The water wheel created natural favorable conditions for defense. The system of defensive ramparts covered the midtown from the western and southern sides. Assessing the remains of the ramparts, which have survived only in the western part of the settlement, we attribute them to the bastion system of fortifications of the Old Dutch school. The mid was probably fortified at the turn of the 16th and 17th centuries, when an alabaster factory operated here. The urban structure of the city belonged to the so-called conjugated type of cities, when the castle and the midtown formed a combined defense system. Vasyuchyn Castle had two phases of development. The older defensive yard was located on an artificial island in the middle of a swampy Swirzh river valley.The remains of earthen ramparts have survived from this object. The new castle was located in the southern part of the midtown. Unfortunately, no buildings or fortifications have survived from it. A palace complex with a manor house was planned on the site of this object at a later time. Its planning structure reflected in the draft plan of the settlement from 1846. In order to reconstruct the architectural and spatial structure of the castle, which probably had a Renaissance character, it is necessary to conduct deeper historical and cartographic studies. The town of Vasyuchyn in the 16th-17th centuries should be attributed to the conditional artistic capitals of the Renaissance in Galicia. The products of the alabaster workshop exported to the many cities of Eastern and Central Europe. Artistic works made of Vasyuchyn alabaster noted in Kraków, Warsaw, Poznan, Wroclaw, Czarnów, Rymanów, etc. Many works made for local shrines - in the cities of Lviv, Sambir, Felshtyn, Uniw, etc. The revival of the alabaster industry, especially in the direction of using alabaster stone in an artistic aspect, can be the foundation of a new economic progress of the community.