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Abstract
The role of concerts as a crucial component of events is undeniable, especially in the post-epidemic age. As the concert business has grown significantly in recent years, its connections with participant engagement, destination management, and technology have garnered increased attention. This paper focuses on the systematic review method and combines the PRISMA model to collect existing literature on concerts and classify them. Following the PRISMA guidelines, which include four steps (identification, screening, eligibility, and inclusion), 56 papers were examined and categorised into three dimensions. At the same time, through the analysis of existing literature, it also points out new research directions that may appear in this field in the future, such as the dual role of technology, more diverse research methods and factors, environmental and social influence components, the difference between music festivals and concerts, and the operational analysis of the event itself. The purpose is to understand and analyze the current status of research in this industry and provide new directions for future development in research topics and methods.
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