Imaginative storytelling – novel immersive production practices and processes for mobile cinematic, interactive 360-degree and real-time VR

Abstract

ABSTRACT This article adopts creative practice research to explore novel Virtual Reality (VR) production practices and processes for mobile cinematic VR (MCVR), parallel interactive narratives in VR (PIN VR) and real-time VR (RT VR). As a result of Creative Practice research, Imaginative Storytelling analyses and describes these original production approaches and processes for immersive storytelling and illustrates emerging aesthetic formations, which shape new imaginative experiences in VR. These diverse representations of VR are examined through three case studies, A New Dawn [A New Dawn. 2021. Dir. Schleser (VR). Australia. Swinburne University of Technology.], Table for Two [Table for Two. 2022. Dir. Remedios (VR). India. Indian Institute of Technology Hyderabad].) and Phases of Motion [Phases of Motion. 2021/2023. Dir. Berrett (VR). Australia. Swinburne University of Technology]. Each experience focuses on exploring innovative production processes for moile cinematic, interactive 360-degree and real-time VR. By means of outlining three distinctive approaches to VR production, contemporary developments and new directions in immersive storytelling are demonstrated. This research contributes to the expansion of storytelling and storyliving approaches in which navigators become co-creators of VR experiences.