Abstract
Acknowledgments Note on Scores, Librettos, and Translations Introduction: Hearing Puccini 1. Stylistic Plurality, Narrative, Levels of Discourse, and Voice 2. The Romantic Style in Late Puccini 3. Expressive Uses of Convention in Il tabarro 4. Formal Multivalence in Suor Angelica 5. Humor and Filmic Effects in the Structure of Gianni Schicchi 6. Puccini's Solution: Integrating the Conventional and Unconventional Epilogue: Late Style and Puccini Notes Bibliography Index
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callSimilar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
