Abstract
This study is a Modern Greek theatre exploration. New recreated, reformed theatre language forms, emphasizing actor’s body fundamental potentials wake up in Modern Greek theatre wide range life, struggling efforts as a result of the financial yet social crisis to assign mostly art, with the global human need necessity part, the part of supporting. The best era Greek theatre experiences, as the dominate artist expression of Greeks, inside the spectrum of “physical” or “formal” theatre. The beginnings of this theatre are introduced by the Ancient Greek mimic , traveling to the Commedia dell'Arte renaissance. Even the 20th century when important artists dialed with actor’s body forces, embedding new experienced theories.
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