Abstract
The Journal of Popular CultureVolume 30, Issue 1 p. 215-231 Ideology, Social Commentary and Resistance in Popular Music: A Case Study of Singapore Phua Siew Chye, Phua Siew Chye Phua Siew Chye is a Graduate, Department of Geography, National University of Singapore, Kent Ridge Crescent, Singapore 119260.Search for more papers by this authorLily Kong, Lily Kong Lily Kong is a Senior Lecturer, Department of Geography, National University of Singapore, Singapore 119260.Search for more papers by this author Phua Siew Chye, Phua Siew Chye Phua Siew Chye is a Graduate, Department of Geography, National University of Singapore, Kent Ridge Crescent, Singapore 119260.Search for more papers by this authorLily Kong, Lily Kong Lily Kong is a Senior Lecturer, Department of Geography, National University of Singapore, Singapore 119260.Search for more papers by this author First published: Summer 1996 https://doi.org/10.1111/j.0022-3840.1996.00215.xCitations: 11AboutPDF ToolsRequest permissionExport citationAdd to favoritesTrack citation ShareShare Give accessShare full text accessShare full-text accessPlease review our Terms and Conditions of Use and check box below to share full-text version of article.I have read and accept the Wiley Online Library Terms and Conditions of UseShareable LinkUse the link below to share a full-text version of this article with your friends and colleagues. Learn more.Copy URL Share a linkShare onFacebookTwitterLinkedInRedditWechat Citing Literature Volume30, Issue1Summer 1996Pages 215-231 RelatedInformation
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
