Abstract
The ideological role of the theater in Zambia as a vehicle for national mobilization cannot be overemphasized. Zambians have always seen the theater as part of that popular energy necessary for the creation of a revolutionary culture in their country. Twenty years after independence from colonial rule, the essential features of a truly modern African theater have emerged in Zambia. The Zambian theater is functional, heavily ideological, and an integral part of the people's cultural life. The theater incorporates the techniques of the traditional heritage, such as dances, songs, mimes, improvisation, and storytelling, in order to enhance its unique national qualities. Spurred by the national ideology of Humanism, the theater in Zambia has boldly asserted its place in the new scheme of things and contributed immensely to the maintenance of the ongoing social order in the nation. The tradition of sociopolitical awareness and comment has characterized the Zambian theater groups. They have always performed their traditional role of service to the people. The theater in Zambia is used as an instrument for mass education, celebration, and discovery.
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