Abstract

This article aims to explore Gus Van Sant’s film My Own Private Idaho (1991) starting from different approaches on the perception of the fragmentation of contemporary cultural identity from the perspective of cultural studies. We use especially the propositions from the authors Stuart Hall and Tomaz Tadeu da Silva in order to understand how this fragmentation condition configured in the film and its characters. Keywords : identity, fragmentation, My Own Private Idaho, Gus Van Sant.

Highlights

  • This article aims to explore Gus Van Sant’s film My Own Private Idaho (1991) starting from different approaches on the perception of the fragmentation of contemporary cultural identity from the perspective of cultural studies

  • A narrativa estabelecida dessa forma possui uma ligação com a trajetória de Mike e Scott (Keanu Reeves), moradores de rua e garotos de programa em Portland, no Oregon, Estados Unidos

  • Experimentando episódios de sono absoluto em momentos inespecíficos, Mike percebe a sua própria história pessoal em pedaços de narrativas soltos que se confundem com lembranças e sonhos

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Summary

Introduction

This article aims to explore Gus Van Sant’s film My Own Private Idaho (1991) starting from different approaches on the perception of the fragmentation of contemporary cultural identity from the perspective of cultural studies. Certamente, com uma das metáforas mais caras para esses filmes, e que vem do movimento que o impulsionou, a beat generation: a estrada como a própria vida.

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