How Do We Have Eighteenth-Century Japanese Fiction? Hermeneutic Mitate, Unreadable Novels, and Tension in Translation

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The turn of the eighteenth century witnessed the importation of a vast array of new Chinese texts into Japan, and the remainder of the century was marked by the experimental reworking of the language, themes, and compositional techniques found in these works. While this history of Sino-Japanese engagement is often presented as a narrative of Japanese “domestication” of foreign literary forms, this article highlights authors who intentionally emphasized Chinese linguistic borrowings and narratological techniques that could not be easily assimilated. In thinking about how texts from the non-European world might be used to expand definitions of the novel, works that encapsulate this history of Sino-Japanese borrowing, like Tsuga Teishō’s Garland of Heroes and Santō Kyoden’s Treasury of Loyal Retainers from the Water Margin, provide new models for discussing the history and developmental trajectory of the global eighteenth-century novel.

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From the middle decades of the eighteenth century Tang Emperor Taizong (r. 626–649) was cited in French, German, English, Italian, and Dutch books and periodicals as a universal model of good governance. This article sets out how eighteenth-century writers recognized a familiar genre in translations of medieval Chinese governance texts and discusses two prominent examples of the adaptation of Taizong’s mirror literature into comprehensive universal models of good governance. The work of Johann Gotlobb von Justi (ca. 1717–1771) shows how the translation of Chinese governance texts gave impetus to new and bold critiques of European governance and to a comparative theoretical analysis of monarchies with practical consequences for institutional and policy reform. Christoph Martin Wieland (1733–1813) extended the earlier comparative analysis of monarchies into a historical utopian novel that offered a model for political and social reform. Even though their conceptualization and uses of translation differed, Justi and Wieland were exceptional in crafting a political treatise and a utopian mirror novel that suggested that a durable blueprint for the revival of the monarchy in Europe was available in the translation of Chinese mirror literature like Jin Jing (The Golden Mirror) or Di fan (Model for an Emperor).

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Buddhism and Medicine in Japan
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Reviewed by: Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature by Jason S. Farr Jeremy Chow FARR, JASON S. Novel Bodies: Disability and Sexuality in Eighteenth-Century British Literature. Lewisburg, PA: Bucknell University Press, 2019. 206 pp. $99.95 hardcover; $34.95 paperback; $34.95 e-book. With his recent monograph, Jason S. Farr showcases the constellated nature of disability and sexuality in the literature of the long eighteenth century by emphasizing, one, how this intersectional lens has been heretofore limited in extant scholarship and, two, how eighteenth-century writers implicitly and explicitly gesture towards their layered integration. Novel Bodies bridges the established fields of eighteenth-century disability studies and queer studies, which have—until recently—been conducted separately, to become an astute model for intertwining theories of disability and sexuality. Farr argues that eighteenth-century conceptions of disability plague the formation of subjectivity (by Locke’s definition at least) and that the literature of the period encodes “disability as a manifestation of queer desire” (27). In so doing, Farr embarks upon crip-queer/queer-crip readings that can enrich eighteenth-century studies and its continued investment in elucidating marginalized representation within the canon and beyond. The two-word title, Novel Bodies, lays bare Farr’s bipartite goals. First, by way of tackling theories of embodiment, Farr engages the lived realities of disability and sexuality as they “stage an array of eighteenth-century debates covering contemporaneous topics as diverse as education, feminism, kinship, medicine, and plantation life” (1). And second, with his pun on “novel,” Farr excitingly reads the [End Page 346] eighteenth-century novel as a literary form that replicates disability and ableist politics and representation within its very narrative structure. Novel Bodies thus innovatively envisions what I will call “crip-formalism” (crip, of course, a word that has been recently recuperated by disability theorists and disabled individuals) that extends from recent explorations of new-formalism and queer formalism: necessary revisions of staid formalist approaches so as to center literary form as it uncovers historically and culturally situated political, social, and identity-based significance. Farr’s crip-formalism opens realms by which culturally-inscribed and institutionalized attitudes towards and descriptions of disability are framed by narrative form, and thus positions the novel as a structural mirror to “various kinds of disability… vital to the social, physical, and psychological makeup of Georgian Britain” (27). By focusing primarily on the emergence of the novel in the period (Richardson, Haywood, Smollett, Scott), Farr’s crip-formalism navigates a parallel track by which to understand the rise of the novel discourse that has long been heralded as integral to understanding the eighteenth century. Farr’s take plaits identity and embodiment with form. Four chapters and a coda comprise Novel Bodies, which moves chronologically from 1720 to 1817, though Farr draws from Restoration-era (Rochester, Wycherley) and earlier seventeenth-century primary sources (Bulwer, Bacon) by which to historicize his claims of disability or “deformity”—the latter a more analogous term for the eighteenth century. The introduction adumbrates the theoretical territory and offers a reading of Horace Walpole’s The Castle of Otranto as a litmus test that realizes one of Farr’s most provocative close readings: Conrad, presumed and murdered heir to the Otranto throne, as a “crip haunting of heteronormativity” (18). The introduction patiently traces the evolution of disability, deformity, degenerescence, sound-ness, and other critical terms that valuably lay out the provenance of eighteenth-century disability studies. However, I wish this same patient attention was paid to “queerness” or “queer”—terms that alongside disability and crip share parallel recuperative, reparative, and weaponized histories. Farr’s capacious use of queerness signifies interventions in sexuality, gender, and sex. Chapter 1 addresses the social deaths and histories of deaf subjectivity in Enlightenment Britain by examining three representations of Duncan Campbell—a celebrity deaf prophet feted for his divination talents—by Christopher Krentz, Eliza Haywood, and allegedly Campbell himself. Farr’s visual analysis of the frontispiece to John Bulwer’s Philocophus, or, the deafe and dumbe man’s friend (1648), which is likewise captured on the cover of Novel Bodies, emblematizes his lamination of disability and queer close readings. Chapter 2 pairs Samuel Richardson...

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Vol. 6, No. 2 Late Imperial ChinaDecember 1985 MATERIALS ON MANCHURIA, INNER ASIA, AND CHINA HELD AT THE JOHNS HOPKINS UNIVERSITY William T. Rowe* The Johns Hopkins University is not a major East Asian research center, and consequently its Milton S. Eisenhower Library contains no comprehensive collection of materials in East Asian languages. However , through such former faculty members as Paul Linebarger, Owen Lattimore, and Richard Pfeffer, a number of scattered bodies of material in Asian laguages or on Asian subjects have found their way into the Library's possession. One unique resource, for example, is a collection in the University Archives of the correspondence of Frank Goodnow, former President of Johns Hopkins and constitutional advisor to the Republic of China under Yuan Shikai. Of more general interest are two collections of items in various languages relating largely, but not exclusively, to the history of China's northeast and inner Asian borderlands and peoples. Some of this material appears to my non-specialist eye to be quite rare; a few volumes may even be unique to this collection . I. The Hauer Collection The personal library of Dr. Erich Hauer, a sinologist and expert on the Manchu and Mongol languages at the University of Berlin, was purchased by Johns Hopkins after Dr. Hauer's death in 1939. Approximately six hundred volumes in various Western languages were subsequently merged into the Eisenhower Library's general collection, where they remain. However, some 393 volumes in Chinese, Mongol, and Manchu were never placed in the general collection, although a detailed inventory of them was accomplished in 1945. In addition to a variety of "I am grateful to Pierre Berry. Janette Cabeen, and James Walton of the M. S. Eisenhower Library, and to Professor David Farquhar of the University of California-Los Angeles for assistance necessary to preparing this note. 108 Materials on Manchuria, Inner Asia, and China109 miscellaneous items, this collection includes: 1.Several cord-bound Manchu-language works from the early Qing. Examples include Renchen jingxin Iu -^- S tfk. '& -fefc (Treatise concerning the proper conduct of officials and subjects), 1656, and Quanshan yaoyan $fl 4r£c% (Moral exhortations to the people), 1656, both attributed to the Shunzhi emperor; and the Yongzheng emperor's Shangyu qiwu yifu * i£j #£ jfc íj¡{ ejf^ (Edicts on banner affairs, with responding memorials), n.d. 2.Approximately eighty Chinese-language historical and geographical works published from the eighteenth to the early twentieth centuries. Example: Menggu yuanliu ¡fa % j$ >3L(Origin of the Mongols), Chinese translation by Lu Xixiong f£ £^ ft and Ji Yun fa i% from Mongol original, 1777. 3.Several bound runs of Beijing newspapers from the early twentieth century. Examples: Jinghua ribao -^f. %% $ £fk (August 1904June 1905), Mengwenbao ffi 5^-^ (April 1915-January 1916). 4.Translations of the Chinese classics and Chinese literature into Manchu and Mongol. 5.More than one hundred dictionaries and languages texts in Manchu, Mongol, and Chinese, several dating from the eighteenth century. II. The Lattimore Collection When Professor Owen Lattimore left Johns Hopkins for Leeds University in the late 1950s, he gave the Library several hundred volumes from his personal collection. This material was never inventoried by the Library, but I have recently had the opportunity to do so. The collection closely reflects Professor Lattimore's research interests, and includes the following types of materials: 1 . Chinese cord-bound geographical works and travel accounts on frontier areas, dating from the late eighteenth through the early twentieth centuries. Examples: Xiyu wenjian Iu ¦&} *£{)§& -i^i (A record of things seen and heard in the Western regions), by Chun Yuan -Jf^ j|| , 1777; Xijiang zashushi F $%. -Zfc sí. ¦%% 110William T. Rowe (Collected prose and poetry from the Western borderlands), by Xiao Xiongquan £ f ^ß) ¿3 -^. , Yuanchao jielu ?* £f[ *A. 4fÈ$ ¦») 1$ & Ü *T $. ^1 (Collected material on Manchuria) Xinjing, 1939. 5.A small number of cord-bound and paperbound volumes in Manchu and Mongol, primarily dictionaries and language texts. While the M. S. Eisenhower Library has recently begun the task of fully cataloguing these two collections, this process will take some time. In the interim, scholars interested in information on particular titles or wishing to arrange access to these materials are invited to contact me, in care of the Department...

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Reviews
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Reviews

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The Rise of Feminine Authority in the Novel
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At some point during eighteenth century, cultural climate in England was right for novel to begin its rise to a prominent position in hierarchy of genres. The same conditions also made it possible for women's lore, taste, judgement, feeling and words to become, for first time in history, fit matter for literature. Despite scholarly attention that has been devoted to each of these groundbreaking events, there remains obvious question of what one literary phenomenon had to do with other, or how together they participated in a larger cultural change. It is Ian Watt's well-known contention that popularity of such writers as Defoe and Richardson-and subsequent rise of noveldepended on economic individualism and Puritan ethic they shared with a substantial portion of new reading public. But as his study of eighteenthcentury novel comes to a close, Watt seems to realize that a notion of literary production based on shared social values and inside knowledge of commercial life fails to explain the majority of eighteenth-century novels, namely, those written by women.1 To account for conspicuous appearance of a woman writer on literary scene, he falls back on a nineteenth-century commonplace and, speaking of Jane Austen, claims, the feminine sensibility was in some ways better equipped to reveal intricacies of personal relationships and was therefore at a real advantage in realm of novel. 2 Surely this will not do as explanation for why women gained authority to write literature and have it received as both female and literary, nor does it indicate why female literary authority coincided with emergence of novel as a literary form. Lest we dismiss Watt's theory too quickly, we should note that feminist critics also have difficulty in correlating social and literary changes that occurred during late eighteenth and early nineteenth centuries. Watt's theory of text as a reflection of socio-economic interests on part of new middle classes derives from his study of readership and conditions for literary reception. In contrast, Sandra Gilbert and Susan Gubar's definitive study of nineteenth-century women novelists concentrates on authors and conditions in which their works were produced. On this basis, they argue that author's sex is far more important than class affiliation, nationality, or matters of personality.3 Since so many novelists were women by fact of nature, and since

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