Abstract
In this article we attempt to historicize and address the literary manifestations of the meaning and idea of home culture in the English domestic novel of the inter-war years. During this period, the cult of domesticity was avidly promoted by the government and popular magazines. We discuss how both houses and novels furnish a dwelling place that invites the exploration of private and social relations. In their turn to domestic space and the domestic interior, domestic novelists of the inter-war years inaugurated a turn to interiority, feminine subjectivity and the everyday.
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