Abstract

India’s North East, including Assam, has a history of militancy arising from various socio-political causes. Writers have responded to this aspect of the history of this region by producing works that record and commemorate particular events and experiences for posterity. Of particular significance in these works is the record of the impact of the disturbances on the everyday lives of people, many of whom, though unaware of the main issues being debated, are affected beyond measure by the turn of the events. Arupa Patangia Kalita’s short stories collected in Written in Tears (2015), The Musk and Other Stories (2017), and The Loneliness of Hira Barua (2020) document a momentous phase in the recent history of the North-Eastern region of India especially Assam, marked by student agitation and militancy which mobilized the people around particular issues on the one hand and inflicted sufferings of various kinds on innocent people on the other. A writer is, among other things, a recorder of the experiences of a region who investigates in the form of a narrative the fallout of social upheavals on the everyday lives of people. The proposed paper will look into the aspects of the recent history of the North East touched on by the writer in her short stories using insights from studies on history, postcoloniality, memory and trauma. It will focus especially on the documentation of women’s experiences during that phase from a woman’s perspective.

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