Abstract
The paper analyzes a complex of methodological problems associated with the visual turn in modern historical science, as well as the peculiarities of the perception of the historical past and the organization of history teaching in modern culture and in the system of historical education. The analysis evaluates the prospects of already existing approaches in philosophy in the development of problems of the visual. The ideas of Maurice Merleau-Ponty on the phenomenology of perception, with his emphasis on the “physical presence” of a body in the process of perception, are proposed as a significant source for the reflection on the visual. The involvement of visual elements in the historical narrative, as shown in the article, complicates the methodology and practice of source criticism, while at the same time allowing historical science to make its contribution to understanding the image as such.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
