Abstract
Hildegard of Bingen’s musical work in the aspect of the phenomenon of author’s style
Highlights
From the 11th century onwards, secular elements were gradually introduced into church music: from Easter or Christmas tropes, which contained intonations of folk songs, to theatrical episodes based on Scriptures, or “actions” called liturgical drama
The work surprises with its unusualness and multidimensionality
The liturgical drama of Hildegard of Bingen, was the first, which means that it is advisable to talk about the “phenomenon of a musical work”
Summary
Hildegard of Bingen’s musical work in the aspect of the phenomenon of author’s style. The purpose of the article is to consider the work of Hildegard of Bingen in the aspect of the phenomenon of the author’s style and to identify the invariant features of the individual style model. The author of this study used the following research methods: historical and contextual due to the need to identify the specifics of creative thinking of Hildegard of Bingen in the context of the theory and practice of the liturgical monody of her time; intonation-dramaturgical analysis aimed at a holistic comprehension of the musical content as such, which is guided by the search for unifying patterns of the intonation plan, and the text-musical semantic analysis of the holy chants fot covering the synergistic aspect of understanding style
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