Abstract

Guillermo del Toro (b. 1964) is an Oscar-winning Mexican director, screenwriter, producer, novelist, film scholar, curator, and nonfiction writer who works internationally on English-language and Spanish-language projects in Mexico, New Zealand, Spain, and the United States and across a number of different media, including film, television, animation, and novels. Although he has worked in multiple genres, including horror (Mimic (1997), Blade II (2002), Crimson Peak (2015)), action/fantasy (Hellboy (2004), Hellboy II: The Golden Army (2008)), science fiction (Pacific Rim (2013)), and hybrids of these and other genres (The Shape of Water (2017)), he is most known for the gothic sensibility of many of his projects (Cronos (1993), The Devil’s Backbone (2001), Pan’s Labyrinth (2006), Crimson Peak (2015)). Relatedly, Del Toro’s Cronos and his subsequent films, including those he has produced have contributed greatly to the rehabilitation of the horror and fantasy genres from the cultural disreputability they suffered through the 1960s to the early 1990s and also facilitated more horror production in Mexico going forward. In addition to the gothic quality of his work, Del Toro’s auteur status is often traced through the recurring imagery, themes, and monsters that appear across his oeuvre and through the recurring preoccupations with the contiguity of real and fantasy worlds and with ghosts as manifestations of the (historical and political) past. Although Del Toro has made and been involved in the production of some notable franchise films in recent years, directing Blade II, Hellboy, and Hellboy II: The Golden Army, receiving a screenwriting credit for The Hobbit: An Unexpected Journey (2012), The Hobbit: The Desolation of Smaug (2013), and The Hobbit: The Battle of the Five Armies (2014) he has also turned down several opportunities to work on franchise films in the Narnia and Harry Potter series (passing on directing Harry Potter and the Prisoner of Azkaban but suggesting his compatriot Alfonso Cuarón for the job instead) and leaving the production of The Hobbit films after work on the scripts. He’s also received writing credit on Trox Nixey’s Don’t Be Afraid of the Dark (2010).

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.