Abstract
Abstract In 2011 I wrote the television drama The Preston Passion for the BBC. The aim was to retell the story of Christ’s Passion in a series of provoking and unexpected ways. Pilate becomes a town mayor during a mill workers’ strike in nineteenth century England; Mary becomes a mother awaiting news of her son during World War I; Jesus is a young carer in contemporary Preston, a city in the north of England. Drawing on the experience of writing the drama, I aim to show how drama and mission are related enterprises, having a complex and nuanced relationship with one another and with the prevailing culture. These putative relationships find expression in shared prophetic modalities: truth-telling, challenge, and love. The article explores how these modalities are expressed in television drama and mission. I conclude by suggesting that both drama and mission also share a goal: personal and cultural transformation through bearing witness to the truth understood in a particular way.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
