Abstract
Abstract Giovanni Priuli was a colleague of Giovanni Gabrieli's during the latter's final years. Their musical kinship runs deeper than has hitherto been recognized. Striking resemblances between the Kyrie of Priuli's Missa sine nomine, his only known composition from the years of his affiliation with Gabrieli, show that Gabrieli served his younger colleague as musical mentor, inspiration, and model. They also illuminate the performance practice of polychordal works, the transmission and reception of the Venetian polychoral repertoire north of the Alps, and the chronology of several of Gabrieli's late works.
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