Abstract
Previous articleNext article No AccessGhiberti on the Destruction of ArtCreighton E. GilbertCreighton E. Gilbert Search for more articles by this author PDFPDF PLUS Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinkedInRedditEmail SectionsMoreDetailsFiguresReferencesCited by I Tatti Studies in the Italian Renaissance Volume 61995 Published for Villa I Tatti: The Harvard University Center for Italian Renaissance Studies Article DOIhttps://doi.org/10.2307/4603694 Views: 12Total views on this site Citations: 5Citations are reported from Crossref Copyright 1995 Villa I TattiPDF download Crossref reports the following articles citing this article: Sculptural Bodies: Created, Destroyed, and Re-Enchanted, (Feb 2020): 99–152.https://doi.org/10.1017/9781108579322.006Megan Holmes Sculptural Transformations in Quattrocento Italy, (Feb 2020): 134–152.https://doi.org/10.1017/9781108579322.009Una Roman D’Elia How the Quattrocento Saw Ancient Sculpture in Color, Source: Notes in the History of Art 35, no.33 (May 2016): 216–226.https://doi.org/10.1086/686707David Karmon Archaeology and the Anxiety of Loss: Effacing Preservation from the History of Renaissance Rome, American Journal of Archaeology 115, no.22 (Apr 2011): 159–174.https://doi.org/10.3764/aja.115.2.159David Karmon Archaeology and the Anxiety of Loss: Effacing Preservation from the History of Renaissance Rome, American Journal of Archaeology 115, no.22 (Dec 2021): 159–174.https://doi.org/10.3764/aja.115.2.0159
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