Abstract
Judith Brown’s Glamour in Six Dimensions: Modernism and the Radiance of Form examines artifacts, objects, celebrities and writers in an effort to understand how the early twentieth-century iteration of “glamour” was both a product of and a necessary contributor to literary modernism. Her analysis is grouped into six categories: perception, violence, photography, celebrity, primitivism and cellophane. Within these categories, she performs close readings of works by D.H. Lawrence, F. Scott Fitzgerald, Virginia Woolf, Wallace Stevens, Nella Larsen and Gertrude Stein.
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