Abstract
We propose a city read from the anonymous lens of the passerby, leaving no trace, without endemic games, without state modulations, in a sort of epiphany of being; pedestrians emerge with their songs, bodies, actions and gestures, which are still untranslatable with the possibilities of writing. A meeting of sensations and provocations launched from a panic action, in the melomaniacal game of the signs and chords that are needed for a deferred listening of the city steps
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