Abstract
Israeli art of the 1960s–’70s was a thriving scene of performative art practices, of which very little is known to the international community of performance researchers. Evolving gradually in response to new trends on the American and European art scenes, these performative manifestations reacted to and reflected the specific local circumstances that would eventually result in a major change in the country’s life, culture, and art.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
