Abstract
This article examines the evolving portrayal of abusive coaching relationships in contemporary occidental cinema, particularly through the lens of five biographical films: The Little Queen, The Tale, Slalom, Service vole and Floodlights. Released between 2014 and 2022, these films highlight the complex power dynamics and psychological impacts of coach-athlete relationships within the sports context. By utilizing a biopic format, they not only enhance public awareness of these abusive dynamics but also facilitate a transnational dialogue ignited by the #MeToo movement's exposure of sexual misconduct across various industries. This article contributes to a broader discourse on the intersection of sports, cinema, and social justice, highlighting how film can be a powerful tool for social change by amplifying voices that have historically been silenced and by promoting an informed and empathetic understanding of abuse and recovery in sports.
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