Abstract
The Forking Paths, a project developed by the Research Center for Arts and Communication (CIAC), focuses on different types and models of interactive films, both from a theoretical and a practical perspective. The platform includes the films produced for the project: Cadavre Exquis (2019), Valsa (2016), The Book of the Dead (2015) and Haze (2014). The aim of this project is to conduct original research targeting the discovery of potential new knowledge, namely through practice and through the results of this practice. Having The Forking Paths project as a starting point, this paper endeavours to analyze the different models and levels of film interactivity. Through this analysis, we seek to trace possible evolutionary paths for audiovisual language and, simultaneously, we look for answers to an ultimate question: is there a true interaction between film and spectator?
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