Abstract
The article is devoted to the author’s interpretation of foreign language inclusions (foreignisms) in the English fiction texts written by Ernest Hemingway. Author’s interpretation suggests that interpretation is made by the author of the text. Different methods and techniques of that type of interpretation is described in the article in detail and accompanied by the corresponding illustrations from the following novels “Fiesta, and the Sun Also Rises”, “For Whom the Bell Tons”, “The Undefeated”. Author’s incorporation techniques of semantic equivalents of foreignisms being described in detail. The author's interpretation can be provided by following types: 1) interlanguage synonymy (within the micro, meso and macro context) or 2) explications (detailed description) in the language of the recipient. Interlanguage synonymy implies translation of a word or a whole segment of foreign inclusion on the language of the recipient with the help of the corresponding elements that have very close meaning to the original. Foreign language inclusion can take a pre-positioning and postposition in relation to the explanatory context, From the point of view of maintaining the reader's interest explanation in postposition has a stronger position. As well as that explanations-retardation can be found in the texts. It means that explication is considerably distanced from the foreign inclusion. In turns, it activates the creative ability of the reader, forcing him to build appropriate guesses and assumptions. Another type of interpretation that is used by the author is author’s explications (descriptions), that resemble the encyclopedic references. It often appear in those cases when it is necessary to explain some historical reality of national or ethnic character. The analysis of Ernest Hemingway’s works showed that the author often integrates translation of foreignisms in the main body of the text as the harmonious elements of the everyday communication.
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