Abstract
The purpose of the article is to comprehend the festivals of circus art as a phenomenon of modern artistic culture and the form of cultural interaction. Methodology of the study. As the main theoretical paradigm in the study, the system approach was used, within the framework of which the following methods were applied: the typological allowed to determine the main types of festivals of contemporary circus art; analytical helped to identify the characteristic features of festivals of modern circus art, the mechanisms for their implementation and focus of activities. The novelty lies in the fact that this study is the first study on this topic. Conclusions. The festival of circus art is a cultural event that functions according to the laws of the artistic communication spectacle and has a number of characteristic features: synthetic, non-locality, the presence of the viewer as the most important artistic component. Festivals of circus art can be divided into certain types on the following grounds: art form; coverage area; type of institutional support; list of participants; competitive or representative basis. Festivals of circus art – a large-scale form of cultural and intercultural interaction, which reacts sensitively to the main tendencies in this kind of art and promotes its integration into the world cultural process.
Highlights
Цель статьи – осмысление фестивалей циркового искусства как явления современной художественной культуры и форма культурного взаимодействия
Festivals of circus art as a form of cultural interaction The purpose of the article is to comprehend the festivals of circus art as a phenomenon of modern artistic culture and the form of cultural interaction
As the main theoretical paradigm in the study, the system approach was used, within the framework of which the following methods were applied: the typological allowed to determine the main types of festivals of contemporary circus art; analytical helped to identify the characteristic features of festivals of modern circus art, the mechanisms for their implementation and focus of activities
Summary
Цель статьи – осмысление фестивалей циркового искусства как явления современной художественной культуры и форма культурного взаимодействия. В качестве основной теоретической парадигмы в исследовании использован системный подход, в рамках которого были применены следующие методы: типологический позволил определить основные типы фестивалей современного циркового искусства; аналитический способствовал выявлению характерных особенностей фестивалей современного циркового искусства, механизмов их осуществления и направленности деятельности. Фестиваль циркового искусства – это культурное событие, которое функционирует по законам художественного коммуникационного зрелища и имеет ряд характерных признаков: синтетичность, нелокальность, присутствие зрителя как важнейшей художественной компоненты. Фестивали циркового искусства можно разделить на определенные типы по следующим признакам: вид искусства; территория охвата; тип институциональной поддержки; состав участников; конкурсная или репрезентативная основа. Фестивали циркового искусства – это масштабная форма культурного и межкультурного взаимодействия, чутко реагирующая на основные тенденции в этом виде искусстве и способствующая его интеграции в мировой культурный процесс. Festivals of circus art as a form of cultural interaction The purpose of the article is to comprehend the festivals of circus art as a phenomenon of modern artistic culture and the form of cultural interaction
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