Abstract
ABSTRACT: Unlike the fat body of Iros, παχύς bodies in Homeric poetry are powerful, attractive, and consistent with a non-gender- specific conception of the erotic. In Odyssey 18, Iros’ bulk belies his lack of strength, but Odysseus’ large frame, elsewhere described as παχύς, both promises and delivers effective action. A threat of castration distances Iros from the erotic; Odysseus enjoys sexual intimacy with several characters. Penelope exercises seductive charms over the suitors in book 18, shortly after being described as παχύς; the description of her “παχύς hand” at 21.6 suggests both bulk and strength.
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