Abstract
This paper argues that Amitav Ghosh’s Sea of Poppies highlights the transcultural continuities between indenture in the Indian Ocean and the Atlantic slave trade, while simultaneously foregrounding the specificities of servitude in the Indian Ocean World. To do so, it demonstrates the remarkable relevance of Orlando Patterson’s concept of slavery as “social death” to the Indian experience of crossing of the “Black Water,” one that has traditionally been articulated through the cultural trope of death. However, rather than a simple reconfirmation of indentured labour as social death, Ghosh’s novel offers a nuanced, counter-balancing correlative to social death: karmic rebirth as narrative event and metaphoric idiom. By using the double-level of meaning offered by symbolism and allegory, Ghosh is able to sensitively balance exploitation and oppression on the one hand (the “outward” or objective reality of social death) and resistance and agency on the other (the “inward reality” of karmic rebirth). In this sense, his novel is ultimately a reaffirmation of Patterson’s Hegelian insight that slavery is not antithetical to freedom, but is the pre-condition for its emergence.
Highlights
This paper argues that Amitav Ghosh’s Sea of Poppies highlights the transcultural continuities between indenture in the Indian Ocean and the Atlantic slave trade while simultaneously foregrounding the specificities of servitude in the Indian Ocean World
“I was born with my freedom” (526), proclaims Zachary Reid, the son of a Maryland freedwoman, in Amitav Ghosh’s Sea of Poppies (2008)
Like Zachary, who is later re-enmeshed in the race distinctions on the ship, Deeti and Jodhu too are constantly reminded of their new subaltern status as a lascar sailor and indentured labourer respectively during their sea voyage
Summary
I posit that “social death,” a concept from comparative sociology used by Atlantic Studies scholars, should be conjoined with Ghosh’s poetics of karmic rebirth inspired from the Indian Ocean World as a way of productively reformulating the terms of the academic debate surrounding slavery and freedom. As Jacob Crane has pointed out, the histories of these oceans intersect through the co-presence aboard the Ibis of Zachary, a product of the Black Atlantic, and the indentured labourers bound for Mauritius, who will become part of the Indian Ocean World.
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