Abstract
The critic Mário Pedrosa defines ‘post-modern art’, in 1967, as a fundamentally ethical stance. Hélio Oiticica and Lygia Clark offer the most incisive reflection on and practice of such ethics of art in which the presence of the other is fundamental, not only as a participant but also as a category that is capable of subverting categories such as I, other and object. This subversion allows art to propose a relation between subject and culture akin to fundamental psychoanalytic concerns of Sigmund Freud and Jacques Lacan.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
