Abstract

AbstractThis article argues that Erich Przywara’s analogical understanding of the nature‐grace relationship, though sometimes thought to align with the anti‐extrinsicist positions of Blondel, de Lubac, and Balthasar, differs from these by virtue of its “parallax” view. The standard bearers of the nouvelle théologie hold that Aquinas teaches a natural desire for the beatific vision and deny, more generally, the utility of the concept of pure nature for safeguarding the gratuity of the supernatural. Przywara, by contrast, holds that Aquinas, like the Christian tradition more broadly, alternates between theoretical lines of sight, with the result that the capacity for the beatific vision appears to lie, by turns, both in and beyond human nature. This apparent difference of position is what this article calls the “parallax” effect. According to Przywara, one attains the least inadequate view of nature and grace by entering the “rhythm” of mutual correction between various perspectives. Though he refines his articulation of this rhythm across the course of his career, Przywara consistently upholds the concept of pure nature as a legitimate theological Konstruktionsprinzip and salutary corrective to “intrinsicist” accents. The complete picture of nature and grace thus lies in the interplay of the various ecclesially approved theological traditions.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.