Enlivening Prayers: Aesthetic and Function in the Supplicatory Odes of Shaykh Abū Bakr Atiƙu (Kano, Nigeria, d. 1974)

Abstract

ABSTRACT This article analyzes Sufi supplications in the poetic works of Shaykh Abū Bakr ʿAtīq b. Khiḍr b. Abī Bakr b. Mūsā al-Kashināwī (1909–1974), known in Hausa as Shehi Abubakar Atiƙu Sanka. It examines the literary and aesthetic aspects of Atiƙu’s supplicatory odes, as well as their social and political functions. Atiƙu, a significant Tijani scholar in Kano, Nigeria, was a prominent voice in the Fayḍa Tijāniyya movement, which greatly enhanced Islamic scholarship and literacy across West Africa. The Fayḍa literature includes various genres, particularly classical Arabic odes (usually monorhyme), with the Sufi supplicatory ode (qaṣīdat al-tawassul) being a notable sub-genre. Despite their devotional nature, these odes are often overlooked by Western scholars for their literary and historical value. This article shows that Atiƙu’s odes possess a unique aesthetic grounded in reiteration and intertextuality, which contributes to their coherence and unity. Moreover, these supplicatory odes play crucial social roles and serve as valuable sources of social history. The study relies on Atiƙu’s original manuscripts, which contain paratextual elements and annotations about political and religious contexts, providing a basis for a socio-literary analysis of this Islamic poetry sub-genre in Africa.