Abstract

ABSTRACTTo contend with the racist scaling of bodies seems to tend toward the ontological and metaphysical. Counter-strategies entail engagement with the predominant framework – i.e., with its categories of being and its grounds of analysis – however, much subjected to critique and deconstruction. Shawn Copeland and Mayra Rivera both identify and accept this “risk” in their theological projects. I argue that, although each does it with differing relative emphases, their political theologies trade upon an alternation between practical and poetical modes of critical reflection – the one is more negative and formal, the other is more positive and material; and this unitary alternation is what staves off failure in ideology and foundationalism. I furthermore suggest that the practical-poetical alternation I describe represents a contemporary politicization of the aesthetical.

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