El policial palimpséstico en “Marta Odera, monja” de Marisa Grinstein

Abstract

This article investigates the emergence of detective fiction and film from 1994 to the present. The corpus appears during the government of Carlos Menem and its intent to insert Argentina into a globalized economy. Poverty, insecurity, and violence prevail in Argentine society, and many detective novels, based on real-life murders, appear in 1994. Moreover, this type of literature continues to proliferate in the twenty-first century. In this essay, I explore one of the many stories written by Marisa Grinstein. I begin with the newspaper article and trace its transformation into short fiction and television series. The articles about the homicide follow the tendencies of the sensationalist yellow press. The author and the film director of “Marta Odera, monja,” however, transform the events, following and also subverting the characteristics of the classic detective fiction and the hard-boiled. In doing so, these recreations of this particular murder case denounce the domestic violence that exists in Argentine society.