Abstract
In the fields of occidental outreach and entertainment, the image which is transmitted about alien cultures is usually filled with unrepresentative manifestations. Within this group, as it has been studied, Japan is an example that has evolved throughout history of cinema. In this text it is analysed the case of Silence (Martin Scorsese, 2016), work that tries to highlight the twilight of the first attempt to stablish a stable relationship between the Japanese archipelago and the European continent though the Society of Jesus.
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