Abstract

Epistolary writing reached a remarkable diffusion in Hispanic society in the sixteenth and seventeenth centuries. It was one of the most significant forms of writing, and its social extension was also extraordinary. This has been shown in a number of different studies and editions are profuse. However, in many of those works the study of the meanings and functions of this epistolary writing is extremely limited. On the basis of some previous reflections on epistolary discourse, I attempt here to analyze the material characteristics of epistolary testimonies, the distinction between letters and billets, the formal constitution of both, and the relations between the social conditions of the people and their written production (from the literati to inexpert writers). Finally, I will address the particularities that each act of writing involved in terms of the dialectic tension between the concrete norms and their appropriation in a certain society.

Highlights

  • El mejor retrato de cada uno es aquello que escrive

  • Epistolary writing reached a remarkable diffusion in Hispanic society in the sixteenth and seventeenth centuries

  • No sólo por la «restauración de la escritura epistolar humanística latina en formas clásicas», sino también porque «la extensión social del alfabetismo, los descubrimientos geográficos, el aumento de las actividades productivas y comerciales y la mayor movilidad de los habitantes llevaron a una auténtica explosión y circulación epistolar en las lenguas vulgares de toda Europa»9

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Summary

Introduction

El mejor retrato de cada uno es aquello que escrive. El cuerpo se retrata con el pincel, el alma con la pluma.

Results
Conclusion
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