Downton-Mania. Die Fernsehserie „Downton Abbey“ und ihre Auswirkung auf die Public History und den Filmtourismus

Film tourism (movie tourism) covers all tourist trips in the footsteps of movie stars (actors and directors) and their artworks, creating an opportunity for deeper reflection and personal live tracks. It is also visiting places known from the screen, searching for the atmosphere, climate, touring of the facilities immortalized in a film or a television series – the so-called set-jetting (Stasiak 2009). Examples from different places in the world and Poland show that film can perfectly promote any place and affect the turnout of tourists. The scale of this phenomenon depends on the rank of a given film production. Undertaking appropriate promotional activities may bring benefits from film tourism even many years after the film’s release. One of the most important cities on the map of film tourism in Poland is Sandomierz, where the action of a popular television series Ojciec Mateusz takes place. The aim of the article is to show the importance of film for the promotion and development of tourism, on the example of this city. The example of Sandomierz shows that a television series can become a very effective form of promotion and generate a significant increase in tourist traffic, which, in turn, has an influence on the financial benefits and quality of life of the residents of Sandomierz. Based on the presented research it can be said that, since the start of airing of the television series Ojciec Mateusz in 2008, a significant increase in tourist traffic has been observed in Sandomierz. This is confirmed both by official statistics and the opinions of people working in the service of tourist traffic. In addition, watching the TV series Ojciec Mateusz affects decisions about coming to Sandomierz.

There has been a growing research interest in the film-tourism phenomenon and its associated film tourist motivations, expectations and experiences at filmed locations of popular media programmes, in particular, in film and television series. However, with some exceptions, research into non-Anglophone linguistic and cultural settings remains relatively unexplored. There is also a lack of cross-cultural studies of film tourists’ experience in this research area. This current study addresses this gap and contributes to the existing film-tourism literature by examining the impact of nationality on film tourists’ actual experiences. The study looks at those experiences at filmed locations associated with Daejanggeum, a Korean historical television drama in the inter-Asian context. Adopting a structured survey questionnaire, the primary research data were collected at the Daejanggeum Theme Park (the main filming location of Daejanggeum in South Korea) among international visitors mainly from China, Japan, Taiwan and Thailand. Exploratory factor analysis identifies three salient dimensions to the film-tourism experiences, namely, ‘novelty and prestige’, ‘beyond screen experiences and re-enactment’, and ‘intimacy and memory’. In addition, it is empirically suggested that nationality does affect film tourist's on-site experiences. These findings provide important implications for destination marketers in relation to film-tourism destination development and experience design and management.

Recently, Iran has employed different methods to attract international tourists, with film tourism emerging as one of the most effective strategies, owing to the export of television (TV) series and films. With this tool and approach, Iran increased the number of tourists and became a unique country to visit owing to the shared language, culture, and special geographic location with over 15 countries, including two independent and disconnected states in Iraq, Azerbaijan, Kurdistan, and Nakhichevan, alongside 27 heritage sites. Iran achieved remarkable success in exporting TV series and films. The ‘film-induced tourism effect’, which refers to the increase in demand for travel to Iran, is widely thought to be one of the most significant outcomes of exporting TV series and films. This relatively new field explores how TV series and films affect travel demand. The main purpose of this study is to analyse the impact of TV series broadcasting in other countries with cultural similarities such as language. For this, we examine the influence of Turkish and Azerbaijani citizens visiting Iran. The results indicate that visitors from both countries were affected by Iranian TV series post-2018.

The geological concept ‘the Anthropocene’ circulates widely outside Earth System Science – in museum communities, public culture, social sciences, and amongst social science and humanities scholars, artists, activists and public historians too. It is an evident idea for public historians today working with environmental history to engage with a concept that successfully and popularly bridges academic and public interests. This article discusses the concept of the Anthropocene within public environmental history’s historiography and brings in Dipesh Chakrabarty’s influential discussions from the academic field of history and theory about the non-synchronous temporalities geological time and historical time. The article categorizes public environmental history’s methodological approaches since the field emerged in the 1990s, revealing the important concepts being landscapes, human-nature interactions, climate change, sustainability and the Anthropocene. It concludes that the Anthropocene is a concept that can further develop public environmental history but that it also a paradox to the field potentially affecting a core idea in public history – relationships to publics. This has to do with temporal implications of the concept: it squeezes the temporality of memory important to public history and humans out of view; it imposes an extremely slow and long chronological time that is unfamiliar if not foreign to ordinary people to perceive of; it carries with it the idea about a future without humans and other species of today.

The 2018 Thai soap opera Buppaesanniwas was a genre-breaking historical-fantasy drama and a surprise hit among Thai audiences that resulted in a dramatic rise of domestic tourists to the Ayutthaya World Heritage Site. The television series was lauded as a celebration of Thai culture, and fans often visited the ancient ruins dressed in traditional Thai clothing. This paper explores the case study of the film tourism phenomenon at Ayutthaya and pays particular attention to the idea of national and cultural identity as a tourism motivation using field observations, media research and purposive interviews. Film tourism has typically been driven by the desire to see the landscapes featured in the media, but in this case, we find that the desire to visit Ayutthaya as a destination is also as much about celebrating the idea of ‘Thainess’ which is manifested by the accompanying trend of wearing traditional Thai dress.

ABSTRACTTurkish television series gained their presence in the global entertainment market being dubbed as Turkey’s soft power asset. However, in more recent years, together with increasing government control over Turkey’s media landscape and rising authoritarianism, historical television series depicting the Ottoman Empire have flourished primarily on Turkish Radio and Television (TRT) public broadcasting. This paper argues that historical television series on TRT reflect the political elite’s populist-nationalism and are in line with the AKP’s (Justice and Development Party) political discourse. Therefore, television series aired on TRT are operationalized by the AKP government to advance their political agenda and are thus employed as propaganda tools in disseminating a populist-nationalist discourse.

Film tourism is a segment whose main motivation is to visit places linked to audiovisual production, mainly films produced for cinema and television series. It is an expanding segment all over the world that gains attention from the localities due to its possibilities of spreading the image of the city and improve economic benefits. Thus, both the creation of new tourism products related to the audiovisual productions that had the locality as scenery for the filming, as well as the implementation of strategies to capture new productions capable of attracting more visitors. In spite of the worldwide trend of growth of the sector, in Brazil there is still an institutional and scientific gap on the subject, which leads to a low utilization of the potential of cinematographic tourism in the national scenario. Based on the above considerations, this research seeks to understand the state of the art of film tourism in Brazil, based on the analysis of the national scientific production.

Reviewed by: Treme (TV Milestones Series) by Jaimey Fisher Nicholas K. Johnson Treme (TV Milestones Series) Jaimey Fisher Detroit: Wayne State University Press, 2019. ISBN: 9780814341513, $19.99, 152 pages. In Treme, a compact, critical guide to the David Simon and Eric Overmeyer-helmed HBO series of the same name (2010-2013), Jaimey Fisher explores how this underrated series depicts post-Katrina New Orleans through original, inventive techniques. Part of Wayne State University's TV Milestones series, Treme examines the series through the lenses of networked narrative, cultural production, criminal justice, disaster capitalism, and the "counter-publics" of New Orleans. In contrast with other scholarly or journalistic treatments of Treme, Fisher's volume goes beyond now-shopworn arguments about whether the series depicts New Orleans from a touristic, "outsider's" perspective—a David Simoncentric contention that quickly falls apart when one notes the large amount of local involvement in the production. Instead, Fisher examines Treme from the perspective of how it differs from other "prestige" television series of the early 2000s by dispensing with genre convention altogether. He notes that the series stands out for its prominent female characters and as the only prestige television series with a black protagonist, even though Antoine Batiste (Wendell Pierce) is the series' protagonist in only the loosest sense of term (5). In this short but detailed analysis of Treme, Fisher examines the series as an outlier in the "prestige television" landscape and critically investigates how it depicts a city recovering from trauma and rebuilding. Fisher begins the book by introducing twin concepts that ground his analysis: the "noconcept narrative" and "networked narrative." With the former, he refers to Treme's rejection of traditional television plotlines and generic tropes, such as The Wire's narcotics investigation narrative, in favor of a meandering, "slice of life" depiction of New Orleans—in layman's terms, it is, like Seinfeld, a "show about nothing." For him, Treme, with its "emphatic rejection of television genre…functions as a kind of counter-public, at odds not only with television's standard generic fare but even with the sort of widely praised genre variations in The Wire" (115). This is one of Fisher's most convincing arguments and helps his analysis go beyond that of other works on the series, which tend to focus on its depictions of New Orleans culture. The series' muted critical reception was in part due to puzzlement at a seemingly aimless follow-up to The Wire, which explored Baltimore through the lenses of the War on Drugs, education, politics, and the media. The networked narrative concept refers to the show's use of an ensemble cast of characters in order to depict the city of New Orleans as its main character, as opposed to focusing on a troubled male antihero, common to other "prestige TV" series such as Mad Men, The Sopranos, and Breaking Bad. Treme combines the networked narrative method of storytelling (which Simon initially employed in The Wire) with a strong emphasis on montage in order to draw disparate characters into a larger, more collective story. Fisher traces Treme's networked narrative style and its use of montage to urban crime films including Fritz Lang's M (1931) and argues that these techniques prove especially valuable for a film or series' "social engagement," that is, they help viewers think about systems, not just individual characters (16-17). Most valuable for readers of this journal are the intriguing possibilities such a networked narrative depiction could offer other historical television series. Also pioneered by other recent HBO fare such as High Maintenance, network narratives could offer historical drama series the possibility of moving beyond great man/woman storylines, as well as depicting urban environments through diverse viewpoints in order to interweave the stories of individual characters with larger, more system-level narratives. In short, Fisher argues that Treme's use of networked narrative strategies combined with montage allow the series to constantly shift scale in order to illustrate just [End Page 69] how New Orleans both suffered from and dealt with the fallout of Katrina at various societal levels, whether in the city's music and food scenes, failing criminal justice, housing and educational systems...

Public history is a combination of traditional historiography popularization, in which many topics related to social practice may arise. Public history is beneficial for improving the knowledge level of the general public. The United States was the first to begin the study of public history, and then public history was introduced to China. The development of Chinese public history is reflected in various film and television historiography, and has been integrated into the daily lives of the general public. The development of contemporary Chinese public history is also reflected in museum historical architecture and folk genealogy. The main reason for the rise of Chinese historiography is that the general public has increasingly high demands for spiritual nourishment, and there are more and more educated people. Public history has gained a lot of attention in this environment. The dissemination of works that combine many historical themes has aroused strong interest among the public. After two launches of public history in China, public history experienced an outbreak in the second round. The government and the public paid more attention to topics related to public history, which made the development of public history more prosperous.

This study focuses on film tourism on the island of Sicily, in the context of the popular television series, Montalbano. Since the series began, there have been increases in tourist flows in the towns most directly interested. Although it is impossible to say that the Montalbano series is directly responsible for these phenomena, it has succeeded in bringing visibility to the territories and landscapes of the area. In the tourist sector, there are now abundant possibilities for fans to participate in movie tours. The apparent success of the series and its tourist spin-offs can be problematised, therefore, since it raises questions about authenticity from the perspective of the subjectivity of the tourists. Authenticity, for a tourist on a ‘Montalbano tour’, relates more to the desire to explore a virtual reality than to the traditional attractions of the places. The issue of authenticity has contrasting implications for the areas involved. The location of ‘Vigata’, a fictional creation of author Andrea Camilleri, has become an issue, as towns compete for a share of the rapidly evolving tourist market, engaging in attempts to demonstrate authentic traces of the fictional context. The paper explores these issues from an interdisciplinary, mixed methods perspective that combines insights from the fields of Economics and Linguistics. Data are analysed in terms of the multimodal and discourse-pragmatic dimensions of the interpretation of image-texts. Keywords: Montalbano, film tourism, framing, multimodality, destination branding

Review| August 01 2022 Cheap Old Houses, Critical Content and Roberts Media Cheap Old Houses. Ann Lewis Roberts and Nicole Sawatzke, Producers. Critical Content and Roberts Media. 30-minute runtime. Featuring Elizabeth and Ethan Finkelstein. Sara C. Evenson Sara C. Evenson University at Albany Search for other works by this author on: This Site PubMed Google Scholar The Public Historian (2022) 44 (3): 173–176. https://doi.org/10.1525/tph.2022.44.3.173 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Sara C. Evenson; Cheap Old Houses, Critical Content and Roberts Media. The Public Historian 1 August 2022; 44 (3): 173–176. doi: https://doi.org/10.1525/tph.2022.44.3.173 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentThe Public Historian Search What do wavy glass, pink bathroom tiles, and a cross-country road trip have in common? They are all features of the hit first season of the HGTV and Discovery+ show Cheap Old Houses. In this ten-episode series, historic preservationist Elizabeth Finkelstein and husband Ethan hop into their vintage pickup truck lovingly named Big Blue and travel from their home in New York to Pennsylvania, Illinois, Indiana, Texas, and beyond to find the best of the cheap old houses that the United States has to offer. In their travels, they feature old houses for sale and visit old house enthusiasts who are in the process of rehabilitating properties. The series is a feel-good combination of House Hunters, Home Town, Property Brothers, and This Old House that inspires viewers to save the aging and oftentimes dilapidated homes that we all walk and drive past each day. It is part... You do not currently have access to this content.

A particularidade científica da ciência da história, sua racionalidade específica, é garantida em sua produção, na historiografia, por meio de regras teórico-metodológicas que resultam no controle das etapas do processo de pesquisa. Entretanto, a história não é capaz de controlar a circulação social desse conhecimento, para além de seu âmbito, embora a questão da apresentação da história também seja um de seus problemas. Sem dúvida uma das formas mais importantes de divulgação não estritamente historiográfica da história é o audiovisual, seja no cinema ou em outras mídias. Nesse contexto, apresenta-se nesse artigo reflexões com intuito de problematizar significados das narrativas audiovisuais veiculadas pela série televisiva "Guia Politicamente Incorreto" (2017), em discussões dos temas da história pública, da consciência e da cultura histórica. O artigo ora apresentado é resultado de pesquisa que objetivou discutir significados históricos da produção audiovisual, a partir da história pública e da didática da história, na série televisiva aqui analisada.

Previous article FreeNotes on ContributorsPDFPDF PLUSFull Text Add to favoritesDownload CitationTrack CitationsPermissionsReprints Share onFacebookTwitterLinked InRedditEmailQR Code SectionsMoreJon Agar is Professor of Science and Technology Studies at University College, London. He is the author of Science in the Twentieth Century and Beyond (Polity/John Wiley, 2012) and The Government Machine (MIT Press, 2003).Jennifer Karns Alexander is a historian of technology in the Department of Mechanical Engineering and the Program in History of Science, Technology, and Medicine at the University of Minnesota. She is the author of The Mantra of Efficiency (Johns Hopkins, 2008), winner of the Society for the History of Technology's Edelstein Prize.Rachel A. Ankeny is a professor in the School of History and Politics at the University of Adelaide. She holds a master's in bioethics and a Ph.D. in history and philosophy of science; she specializes in history and philosophy of contemporary biology, particularly genetics, and worked in genetic counseling clinics in the 1980s.Theodore Arabatzis is Professor of History and Philosophy of Science at the University of Athens. He is the author of Representing Electrons: A Biographical Approach to Theoretical Entities (University of Chicago Press, 2006), coeditor of Kuhn's “The Structure of Scientific Revolutions” Revisited (Routledge, 2012), and coeditor of the journal Metascience.Massimiliano Badino is Marie Curie Research Fellow at the Universitat Autònoma de Barcelona and MIT. He has worked on the history and philosophy of modern physics, particularly on Planck's theory of black-body radiation and on Boltzmann's statistical mechanics. His current research project deals with the evolution of the concepts of order and chaos in mathematical physics from the three-body problem to the ergodic theorem.Charlotte Bigg is a historian of science at the CNRS/Centre Alexandre Koyré, Paris. She has coedited (with Jochen Hennig) Atombilder: Ikonografie des Atoms in Wissenschaft und Öffentlichkeit des 20. Jahrhunderts (Wallstein, 2009) and (with David Aubin and Otto Sibum) The Heavens on Earth: Observatories and Astronomy in Nineteenth-Century Science and Culture (Duke, 2010).Christian Bracco is an associate professor at the University of Nice Sophia Antipolis and a member of the team for history of astronomy at the Syrte Laboratory at the Paris Observatory. He specializes in the history of physics of the late nineteenth and early twentieth centuries and also contributes to pedagogical publications that address historical problematics.Massimo Bucciantini teaches history of science at the University of Siena. His publications include Galileo e Keplero (Einaudi, 2003; trans., Les Belles Lettres, 2008), Esperimento Auschwitz / Auschwitz Experiment (Primo Levi Lecture) (Einaudi, 2011), and Il telescopio di Galileo: Una storia europea (with M. Camerota and F. Giudice) (Einaudi, 2012; trans., Harvard University Press, 2015).Adelene Buckland is Lecturer in Nineteenth-Century Literature at King's College, London. She is the author of Novel Science: Fiction and the Invention of Nineteenth-Century Geology (Chicago, 2013) and coeditor, with Beth Palmer, of A Return to the Common Reader: Print Culture and the Novel, 1850–1900 (Ashgate, 2011).Conor Burns teaches history of science and technology courses at Ryerson University in Toronto. His current research examines American field sciences in the period 1780–1850, with a particular focus on archaeology and geology.Christián C. Carman is a professor and researcher at the Universidad Nacional de Quilmes, Argentina, and a research member of the National Research Council of Argentina (CONICET). He works on topics related to philosophy of science as well as the history of ancient astronomy.Imogen Clarke is an independent scholar. She is interested in early twentieth-century physics and culture, science publishing, and the ether.Harold J. (Hal) Cook is the John F. Nickoll Professor of History at Brown University. He works mainly on early modern science and medicine and has published award-winning books, most recently Matters of Exchange: Commerce, Medicine, and Science in the Dutch Golden Age (Yale University Press, 2007).Ruth Schwartz Cowan is Janice and Julian Bers Professor Emerita of History and Sociology of Science at the University of Pennsylvania. Her most recent book is Heredity and Hope: The Case for Genetic Screening (Harvard, 2008). She is working on the sesquicentennial history of the National Academy of Sciences/National Research Council.Brendan Dooley is Professor of Renaissance Studies at University College, Cork. He has previously taught history of knowledge and history of science at Harvard, Notre Dame, and Jacobs University in Bremen. His current publications include Brill's Companion to Renaissance Astrology (2014), Renaissance Now! (Peter Lang, 2014), and A Mattress Maker's Daughter: The Renaissance Romance of Don Giovanni de' Medici and Livia Vernazza (Harvard, 2014).Sven Dupré is Professor of History of Knowledge at the Freie Universität Berlin and Research Group Director at the Max Planck Institute for the History of Science. He is the editor of Laboratories of Art: Alchemy and Art Technology from Antiquity to the Eighteenth Century (Springer, 2014).Richard England is Dean of the Sandra and Jack Pine Honors College and Professor of Philosophy at Eastern Illinois University. He is the coeditor (with Jude Nixon) of Victorian Science, Religion, and Natural Theology (2011) and one of three editors preparing an edition of the papers of the Metaphysical Society (1869–1880).James Evans is Director of the Program in Science, Technology, and Society at the University of Puget Sound. His research interests include the history of physics from the eighteenth century to the recent past, as well as ancient astronomy.Paul Lawrence Farber is an Oregon State University Distinguished Professor Emeritus. He has written primarily on the history of natural history and is now working on the tangled questions on race mixing in the first half of the twentieth century. His most recent book is Mixing Races: From Scientific Racism to Modern Evolutionary Ideas (Johns Hopkins, 2011).Amy E. Foster is an associate professor of history at the University of Central Florida, where she teaches the history of science, technology, and medicine. Her research includes the history of women and technology, particularly women in the U.S. space program.Craig Fraser is Chair of the International Commission for the History of Mathematics and Director of the Institute for the History and Philosophy of Science and Technology at the University of Toronto. His primary field of interest is the history of analysis and mathematical mechanics.Jean-François Gauvin is the Director of Administration for the Collection of Historical Scientific Instruments at Harvard University. Since 2000 he has cowritten and coedited two prize-winning volumes as well as several articles and book reviews dealing with science museums, instruments, and instrument making. He teaches one course per semester at Harvard on the material culture of science.Alexa Geisthövel is a research associate at the Institute for the History of Medicine and Ethics in Medicine, Charité Universitätsmedizin, Berlin. Her work is part of the ERC-funded research project “Ways of Writing: How Physicians Know, 1550–1950.”Francesco Gerali is a postdoctoral researcher at the National Autonomous University of Mexico. A native Italian who works on the history of the early oil industry, he moved to Mexico in 2011 to study the development of Mexican oil between 1860 and 1920.Yves Gingras ([email protected]) is Professor in the Department of History and Canada Research Chair in History and Sociology of Science at the Université du Québec à Montréal. He was President of the Canadian Science and Technology Historical Association (CSTHA) from 1988 to 1993 and Editor of Scientia Canadensis from 1995 to 2000. His most recent books are Sociologie des sciences (Presses Universitaires de France, 2012) and Les derives de l'évaluation de la recherché: Du bon usage de la bibliométrie (Raisons d'Agir, 2013). He is also the editor of Controverses: Accords et désaccords en sciences humaines et sociales (CNRS Éditions, 2014).Leila Gómez is Associate Professor of Latin American and Comparative Literatures at the University of Colorado, Boulder. She specializes in travel writing in Latin America; her publications include La piedra del escándalo: Darwin en Argentina (Buenos Aires, 2008), Iluminados y tránsfugas: Relatos de viajeros y ficciones nacionales en Argentina, Paraguay y Perú (Madrid, 2009), and Darwinism in Argentina: Major Texts (Lewisburg, 2011).Christopher D. Green is Professor of Psychology at York University, with cross-appointments to Science and Technology Studies and to Philosophy. His research is focused on turn-of-the-twentieth-century American psychology and on the use of digital methods in the history of science more broadly.Crystal Hall is Visiting Assistant Professor of Digital Humanities at Bowdoin College, where she is building a digital project on Galileo's personal library. She is the author of Galileo's Reading (Cambridge, 2013) and several articles on Galileo and literary studies in journals including Renaissance Quarterly and Quaderni d'Italianistica.Christopher Hamlin is Professor in the Department of History and the graduate program in History and Philosophy of Science at the University of Notre Dame and Honorary Professor in the Department of Public Health and Policy at the London School of Hygiene and Tropical Medicine. His interests include natural theology, the history of public health, and the history of expertise. His most recent book is More Than Hot: A Short History of Fever (Johns Hopkins University Press, 2014).John Henry recently retired from the University of Edinburgh, where he had been Professor of the History of Science and Director of the Science Studies Unit. He has published widely in the history of science, including an introductory textbook, A Short History of Scientific Thought (Palgrave Macmillan, 2012).Jonathan B. Imber is Jean Glasscock Professor of Sociology at Wellesley College. He has been Editor-in-Chief of Society since 1998. He is the author of Trusting Doctors: The Decline of Moral Authority in American Medicine (Princeton University Press, 2008).Catherine Jackson is an assistant professor in the Department of the History of Science at the University of Wisconsin–Madison. She has published on Liebig, Hofmann, and nineteenth-century chemical laboratories and is the coeditor, with Hasok Chang, of An Element of Controversy: The Life of Chlorine in Science, Medicine, Technology, and War (2007).Danielle Jacquart is a professor at the École Pratique des Hautes Études (Paris), where she holds the chair for “History of Sciences in the Middle Ages.” She is the author of numerous publications on medieval medicine. Among the most recent are “Anatomy, Physiology, and Medical Theory,” in The Cambridge History of Science, Volume 2: Medieval Science (2013); and Recherches médiévales sur la nature humaine: Essais sur la réflexion médicale (SISMEL, 2014).Frank A. J. L. James is Professor of History of Science at the Royal Institution and at University College, London. He recently completed the six-volume edition of the Correspondence of Michael Faraday and is now working on a study of Humphry Davy's practical work.Mark Jenner is Reader in Early Modern History and Director of the Centre for Renaissance and Early Modern Studies at the University of York. His publications include Londinopolis (Manchester, 2000) and Medicine and the Market in England and Its Colonies, c. 1450–c. 1850 (Palgrave, 2007). He completing a book on ideas of cleanliness and dirt in early modern England.Masanori Kaji is Associate Professor of the History of Science at the Tokyo Institute of Technology. His research interests include history of chemistry in Russia and in Japan and environmental history. He is the author of Mendeleev's Discovery of the Periodic Law of Chemical Elements (1997).Vera Keller is an assistant professor at the Robert D. Clark Honors College of the University of Oregon. She is the author of over a dozen articles. Her first book, Knowledge and the Public Interest, 1575–1725 (Cambridge University Press, forthcoming), explores the role of interest theory in the reshaping of research in early modern Europe.Sally Gregory Kohlstedt is a professor in the Program in History of Science, Technology, and Medicine at the University of Minnesota. Her recent book, Hands-On Nature Study (2011), won the Margaret Rossiter Prize. She will spend her sabbatical year, 2014–2015, doing research on museum history at various sites, including the Smithsonian Institution and the Max Planck Institute for the History of Science.Brandon Konoval is on the faculty at the University of British Columbia, where he is cross-appointed in the Arts One Program and the School of Music. He has written most recently on Nietzsche and the Scopes trial for Perspectives on Science (2014) and on the relationship between Nietzsche and Foucault for Nietzsche-Studien (2013).Stefan Krebs, a postdoctoral researcher in the Department of Technology and Society Studies at Maastricht University, is the author of Technikwissenschaft als soziale Praxis (Franz Steiner Verlag, 2008) and, with Karin Bijsterveld, Eefje Cleophas, and Gijs Mom, of Sound and Safe: A History of Listening Behind the Wheel (Oxford University Press, 2014).Kenton Kroker has published on the history of sleep research, experimental psychology, and clinical immunology. His current research project, Epidemic Futures, is a historical reconstruction of the encephalitis lethargica pandemics of the early twentieth century. He is an associate professor in the Department of Science and Technology Studies at York University in Toronto.Deepak Kumar teaches history of science and education at Jawaharlal Nehru University in New Delhi. During the last four decades he has researched and published a great deal on the history of science, technology, and medicine in the context of British India. He is also known for his book Science and the Raj (Oxford, 2nd ed., 2006).Thomas C. Lassman is curator of the post–World War II rocket and missile collection at the National Air and Space Museum, Smithsonian Institution. His research interests focus on the history of U.S. industrial and military research and development and the history of weapon systems acquisition in the Department of Defense.Christoph Lehner works on history and philosophy of modern physics, especially quantum mechanics and quantum field theory. He is a research scholar at the Max Planck Institute for the History of Science in Berlin and the coordinator of the project “History and Foundations of Quantum Physics.”David Leith is an Advanced Research Fellow in the Department of Classics and Ancient History at the University of Exeter. His main research interests lie in Greco-Roman medicine, in particular its relations to ancient philosophy.Thomas Lessl is Professor of Communication Studies at the University of Georgia. He is the author of Rhetorical Darwinism: Evolution, Religion, and the Scientific Identity (Baylor University Press, 2012).Mark Madison is Adjunct Professor at Shepherd University and the Chief Historian for the U.S. Fish and Wildlife Service at the National Conservation Training Center Museum/Archives.Anna Maerker is Senior Lecturer in History of Medicine at King's College, London. She works on the relationship between expertise and material culture in medicine and science and is the author of Model Experts: Wax Anatomies and Enlightenment in Florence and Vienna, 1775–1815 (2013).Jaume Navarro is Ikerbasque Research Professor at the University of the Basque Country. He is the author, among other works, of A History of the Electron: J. J. and G. P. Thomson (Cambridge, 2012) and coeditor of Research and Pedagogy: A History of Quantum Physics through Its Textbooks (Berlin, 2013).Vivian Nutton is Emeritus Professor of the History of Medicine at University College, London, and a Fellow of the British Academy. His recent publications include a revision of his Ancient Medicine (2013), the first English translation and commentary on Galen's Avoiding Distress (2013), and the historical introduction to the 2013 Karger translation of Vesalius's The Fabric of the Human Body.Mary Jo Nye is Professor of History Emerita at Oregon State University in Corvallis. Her most recent book is Michael Polanyi and His Generation: Origins of the Social Construction of Science (University of Chicago Press, 2011). Her current research focuses on patterns of collaboration in twentieth-century chemical sciences.Giuliano Pancaldi is Professor of the History of Science at the University of Bologna. He is the author of Darwin in Italy (Indiana, 1991) and Volta (Princeton, 2003). He is now working on a study of the connections between the life sciences and the demographic transition circa 1900.Leigh Penman is a postdoctoral fellow at the Centre for the History of European Discourses at the University of Queensland. He is the author of Unanticipated Millenniums: Chiliastic Thought in Post-Reformation Lutheranism (Springer, forthcoming) and numerous articles in the areas of early modern religious and intellectual history.Michael Pettit is Associate Professor of Psychology and Science and Technology Studies at York University. His first book is The Science of Deception: Psychology and Commerce in America (University of Chicago Press, 2013). He studies the history of psychology's research methods and ethics, the relationship between scientists and subject populations, the interface between psychology and public policy, and the circulation of psychology in the public sphere.Patricia Princehouse is a member of the Department of History and Director of the Program in Evolutionary Biology, Institute for the Science of Origins, Case Western Reserve University.Monica Saavedra is a research fellow at the Centre for Global Health Histories, University of York. She has worked in the fields of medical anthropology and the history of medicine and has published about vaccination and malaria in former Portuguese India and Portugal.C. F. Salazar, previously the Editor-in-Chief of Brill's New Pauly, is a research associate at both the University of Newcastle upon Tyne and the Humboldt-Universität zu Berlin, working on translations of works by Galen and Aetius of Amida, respectively.George Saliba is Professor of Arabic and Islamic Science at Columbia University and studies the development of scientific ideas from late antiquity to early modern times. His most recent book is Islamic Science and the Making of the European Renaissance (MIT Press, 2007; paperback, 2011).Darya Serykh is a Ph.D. student in Social and Political Thought at York University. Her current research focuses on the production of queer discourses in the United States and the Soviet Union during the Cold War.Megan K. Sethi is an adjunct professor at Southern New Hampshire University. Her work examines the educational activities of scientists who promoted nuclear arms control during the early Cold War era. She participated in the Wilson Center's SHAFR Summer Institute on the International History of Nuclear Weapons in 2013.Michael H. Shank is Professor of the History of Science at the University of Wisconsin–Madison. He is the coeditor, with David Lindberg, of the Cambridge History of Science, Volume 2: Medieval Science (2013).Elise Juzda Smith has written on the history of craniology, anthropometry, and scientific racism in the nineteenth and twentieth centuries. She is currently a Teaching and Research Fellow in the History of Medicine at the University of Oxford.Richard Staley lectures in the Department of History and Philosophy of Science at the University of Cambridge. He is the author of Einstein's Generation and the Relativity Revolution (Chicago, 2008), and his current research explores physics and anthropology.Heiko Stoff is Guest Professor for the History of Science and Technology at the Technical University of Braunschweig. He has published on the history of rejuvenation (Ewige Jugend: Konzepte der Verjüngung vom späten 19. Jahrhundert bis ins Dritte Reich [Böhlau, 2004]) and the history of biologically active substances (Wirkstoffe: Eine Wissenschaftsgeschichte der Hormone, Vitamine und Enzyme, 1920–1970 [Stuttgart, 2012]). He is the editor, with Alexander von Schwerin and Bettina Wahrig, of Biologics: A History of Agents Made from Living Organisms in the Twentieth Century (Pickering & Chatto, 2013).Liba Taub is Director and Curator of the Whipple Museum of the History of Science and Professor of History and Philosophy of Science at the University of Cambridge. Her publications include Aetna and the Moon: Explaining Nature in Ancient Greece and Rome, Ancient Meteorology, and Ptolemy's Universe: The Natural Philosophical and Ethical Foundations of Ptolemy's Astronomy.Jetze Touber is a postdoctoral researcher at Utrecht University. His Ph.D. dissertation, on the cult of the saints and law, medicine, and in Rome, has recently been published by His research interests include in the Dutch and and in the of is Associate Professor of History and Sociology of Science at the University of and the author of The Science and Technology is Emeritus Professor of History at the University of New and the author of in The of American and the of the and Conservation in America (University of Chicago is Research Group at the Max Planck Institute for the History of Science in Berlin. His research focuses on the history of ancient and early modern mechanics and on the between practical and knowledge in the history of a historian of ancient and medieval Islamic and is coordinator of at University and of the Canadian Society for History and Philosophy of He is author of The Mathematics of the Heavens and the Earth: The Early History of (Princeton, 2009) and The Art of (Princeton, is Senior Lecturer in the History of Science in the Department of History at University. His research focuses on the early modern between and He has published on the history of and astronomy and is now preparing work on early modern and on the of A. is an assistant professor of history at University and teaches in the industrial archaeology graduate program His work is between early modern and and the history of nineteenth-century American military technology and the that J. is an assistant professor of history at The University of the and the author of The as Scientific and in the Early Enlightenment (Chicago, An early who specializes in the history of science, she has published widely on and and education in the first half of the eighteenth century. She is working on a project about the history of the in early modern is Assistant Professor of History of Art at State University. He is a in medieval and the history of His first book, de and the Medieval in from the Institute in is Research Fellow in the Department of History and Philosophy of Science, University of and Research Associate at King's College, Cambridge. Her current research project focuses on the of culture, medicine, and the role of in science, Previous article by Volume of the History of Science Society on by The History of Science articles

Purpose This study aims to explore the determinants of behavioral intentions during the previsit stage by investigating the influence of audience involvement with the audiovisual product and the mediating role played by place attachment. Design/methodology/approach Structural equation modeling was employed to verify the hypothesized relationships using the AMOS 24.0 program to assess the proposed model. A total of 564 young Chinese audiences who had watched the Thai television (TV) series “I Told Sunset About You” but had not previously visited Phuket, Thailand, were collected using the online survey as participants. Findings The findings indicate that audience involvement has a significant positive effect on place attachment and behavioral intentions during the previsit stage. Place attachment significantly influences behavioral intentions. Moreover, the result suggests that place attachment significantly mediates the relationship between audience involvement and behavioral intentions. Research limitations/implications This study contributes to film tourism research by revealing the crucial role of audience involvement in enhancing place attachment and fostering behavioral intentions toward depicted destinations among potential tourists. Practical implications This study suggests that destination marketers should be aware of the soft power of films and TV series to promote destination and attract prospective tourists. Originality/value This study provides a distinctive perspective on the interrelationships between audience involvement, place attachment, and previsit behavioral intentions. Additionally, it sheds light on the underlying mechanisms influencing potential tourists' behaviors in the context of film tourism.

Book Review| August 01 2022 Review: Queer Public History: Essays on Scholarly Activism, by Marc Stein Queer Public History: Essays on Scholarly Activism by Marc Stein. Oakland: University of California Press, 2022. ix + 343 pp.; illustrations, acknowledgements, notes, and index; clothbound, $85.00; paperback, $29.95. Morgan Seamont Morgan Seamont University of Colorado Boulder Search for other works by this author on: This Site PubMed Google Scholar The Public Historian (2022) 44 (3): 181–183. https://doi.org/10.1525/tph.2022.44.3.181 Views Icon Views Article contents Figures & tables Video Audio Supplementary Data Peer Review Share Icon Share Facebook Twitter LinkedIn MailTo Tools Icon Tools Get Permissions Cite Icon Cite Search Site Citation Morgan Seamont; Review: Queer Public History: Essays on Scholarly Activism, by Marc Stein. The Public Historian 1 August 2022; 44 (3): 181–183. doi: https://doi.org/10.1525/tph.2022.44.3.181 Download citation file: Ris (Zotero) Reference Manager EasyBib Bookends Mendeley Papers EndNote RefWorks BibTex toolbar search Search Dropdown Menu toolbar search search input Search input auto suggest filter your search All ContentThe Public Historian Search Queer Public History: Essays on Scholarly Activism is an important and engaging contribution to the field of both public history and LGBTQ+ history. Authored by Marc Stein, a historian studying queer history for more than three decades, the book brings a personal perspective to queer history from the late 1980s through the 2010s. Stein uses his own essays, written throughout his career, to examine the issues faced by the queer community over time, the developments of the queer movement, and how those issues and developments affected historians doing queer history. Queer Public History also illustrates how community historians and academic historians have been intertwined since the beginning of the academic study of queer history. The relationship has allowed for a more activist approach to queer history than most other history disciplines. The book comprises thirty-three essays organized into eight sections centered on different themes. Those themes are as follows: “Queer... You do not currently have access to this content.