Abstract
Click to increase image sizeClick to decrease image size Notes 1. See Kelly Oliver, Witnessing: Beyond Recognition (Minneapolis: University of Minnesota Press, 2001) for an elaboration of this key concept. 2. Dwight Conquergood, “Performance Studies: Interventions and Radical Research,” TDR: The Drama Review 46 (2002): 145–56. 3. Katherine Wilkinson, journal notes, quoted with permission. 4. For complementary approaches, see Jill Dolan, Utopia in Performance: Finding Hope at the Theater (Ann Arbor: University of Michigan Press, 2005); and Jose Esteban Munoz, Cruising Utopia: The Then and There of Queer Futurity (New York: New York University Press, 2009). 5. Celina Chapin, course paper, quoted with permission. Additional informationNotes on contributorsDella PollockDella Pollock is Professor in the Department of Communication Studies at the University of North Carolina at Chapel Hill
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
