Abstract
The article focuses on amateur workers‘ activities in the Ostrava region between 1870 and 1938. The research conducted primarily focused on the area of theatre practices, in this case understood as a set of amateur theatre activities specific to a particular social group in a particular place and time. Such an approach made it possible to examine the issue in broader social and cultural interactions and not to focus the interpretation solely on politically agitational forms of workers‘ theatre. The author of the text also considers the position of workers‘ theatre within a culture that some scholars divide into elite and popular.
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